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Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
There are many good omnidirectional microphones. But the possibilities are dramatically reduced by your logistics of delivery time and who your possible vendors are.
Renting is not a waste of money. You can get far more high-end gear by renting based on the immediate need. Especially if for a type of production you rarely do. Not clear what is the fascination with omnidirectional mics? I almost never use them, and they will be more fiddly to deploy in that kind of space, IME. |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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True... but I would prefer to purchase if I can get a very good sounding mic for around £5-700. Even if it's not an application that I will use regularly, it is still an extra audio tool in my kit compared to shipping back an audio tool to a company. Would you advise just picking up the Rode NT4? Do you think it would serve well as a solo mic setup if I raise it to three metres as previously discussed? |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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I also think you'd get decent results with your COS-11, so no disagreement with Bruce's suggestion. There are many ways to accomplish a task and everything comes with tradeoffs. |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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I'll look into renting. Thanks, but how much do you need to spend to get 'great'? |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
Craig,
I just read this whole thing. You are talking to some very knowledgeable people here. I am not going to make a mic recommendation your looking for, they know more than me about that. There is one thing I feel very strongly about that has not been said enough. No matter what you do there is only one place that Zoom H4 can go. That is in your HANDS. You are using it as your mixer and your recorder. You will also be monitoring it. Having it taped to a stand someplace will not work. You need to have total control of it. This is not a set it and forget it situation. Everyone agrees monitoring is critical, what good will it do you if you can't adjust what you hear? Kind Regards, Steve |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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I can sense their knowledge very clearly with how much they know! :) I am really appreciative of their time... it's just hard knowing the right decision, when I often research projects for months. I'll be sure to keep the H5 with me! :) I just need to make a decision in the next couple of hours, which is quite frustrating from my side, as I have many good opinions to choose from, but I'm no clearer as to what to do. I like the sound of the Rode nt4... and using a COS 11D alongside it... that way, I'll have a stereo recording and a mono recording. It's not breaking the bank and I can consider buying better mics down the road. Alternatively, I'm going to have to spend a similar amount renting some mics that I will likely find harder to use. |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
I have seen situations where rugs (or even "moving pads") are put down on the hard floor to control at least some of the NEAR reflections in a large, reverberant space like that.
Note also that if it is a perfect hemisphere, you probably want to avoid the exact CENTER. I have worked in some similar situations where sound is FOCUSED right at the center and produces an extremely distorted "soundscape". I would avoid putting the choir or the microphone within 1-2m of the center. |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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Also, if I place the NT4 3m up, and also try it lower down in front of the conductor, do I have a good chance of capturing decent audio? I realise that a lot of people have stated that I should stay away from the X Y configuration, as what you get, you get, but I think with my expertise (or lack of) it might be a good idea for me. Quote:
Here's a proper recording of the venue, which I think has been completed by a broadcasting company: |
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Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
You'd be surprised how simple a mic arrangement experienced audio engineers will use. They may just a stereo pair strung in the right spot, One I know used to record an orchestra that way in their usual venue. Reverb is all part of the cathedral sound, you should use it.
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Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
I am not familiar with Thomann except what I see on their website. It seems like it is probably a German vendor, but I don't know how fast shipping is in the EC (and the UK being just across the channel). And I don't know any vendors in the UK, sorry.
Upon closer inspection of your original photo, it appears that they have a very large "choir loft" and a large "orchestra pit" in front of the choir. And it appears that they have something "flying" from horizontally suspended cables. When I went with a ~150 voice men's chorus to the historic Biserica Neagră ("Black Church") in Brasov, Romania, I was able to use their permanently-installed hanging microphone array. Which was a good thing since there was no other way to get a microphone anywhere near the choir loft/organ which was up in a balcony some 20m above the main floor. https://flic.kr/p/6hwp54 https://flic.kr/p/6hAyMy |
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Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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Sennheiser MKH8040 or MKH 40 Schoeps CMC 6 + MK4 DPA and Neumann have some options as well. |
Re: Urgent Help: Advice Recording a Choir (16 Members) in a Cathedral 9 Second Echo
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The description for it sounds perfect for the use as well, with it being suited to less than optimal recordings. The MKH40 is just under £1000. If I had the MKH8040, could I position that nicely at the points discussed (high up 3m or in front of the conductor)? |
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