- Magic Bullet/Double 16x9 update...
- Can you really convert from 30 to 24 fps?
- Frame Mode and Slo-motion
- DPs & Operators: Film look is framing & Composition
- Magic Bullet or 24p? How better the 24p is?
- Help needed on a XL1s+mini35 purchase
- A Few Questions...
- Autochrome
- just facts: another guide to digital filmmaking
- Agus35 / Aldu35 threads moving to new section 29 March 6am GMT
- superscope2.66
- Filter Sale at Century Optics/Schneider
- Film To Dv Question
- Gunshot FX- Where to get/make squibs?
- Another factor in Filmlook
- which is more cinematic: XL1s PAL (with Nikon lens) or DVX100a
- will the 35mm adapter help with over exposure??
- Xl1s Solutions
- Which camera on "Wonderland"
- BBC white paper on film look
- Another Film Look Technique
- Magic Bullet experts out there?
- interesting articles on hot spot/vignetting
- filmlook choices
- Doing widescreen Squeeze mode
- DVFilm Maker 2.0?
- Color Correction tutorials?
- Does proscan make better use of the DV codec?
- A few preliminary film look stills posted - comments please
- i got confused
- 720p timelapse of tonight's sunset
- Frame Mode Question for Charles Papert
- 70 mm Adapter
- Magic Bullet's PAL to NTSC conversion
- Does anyone here use Premiere Pro with DVFilm Maker?
- New ArriHD prototype
- Photoshop curves for film ?
- Cinema Lenses for DV
- 30p vs. 24p
- Super8 questions...
- question about using Sony DSR-390 for film-making?
- XL1s settings for film...
- Converting 30fps to 24fps?
- shooting for Black & White DV
- New Demo Posted on Movietube
- Acromatic screw-on for DVX100
- Interesting article on film, vid & film look
- Latest on the Movietube
- Automated DV Uprezzing
- A Few n00b questions