Julian Luttrell
June 16th, 2003, 01:32 PM
Hi all,
I find myself needing to create an NTSC DVD when all my source footage is PAL.
I understand that most NTSC DVD players won't happily play a PAL DVD (but PAL DVD players generally are happy to play NTSC DVDs). So, rather than reshoot everything in NTSC (budget, doncha know), I need to perform some conversion.
The question is, where in the workflow will it be best to convert?
My footage is PAL DV25 (DVCAM). I am editing this in a native DV25 editing system (Digisuite DTV with Premiere 6). For the PAL DVD I then encode straight to PAL MPEG2 from the Premiere timeline.
Which would give the best results (I am asking here because trying them all out instead requires money...):
1 convert the original source material to NTSC DV25 (choice: by After Effects, or by an external conversion house) and then edit it all in NTSC space before encoding to NTSC MPEG from the timeline. This would permit all work to be in NTSC space, but would it suffer from editing in the reduced screen resolution of NTSC DV (there are some DVE effects)?
2 edit down in PAL, then render to PAL DV25 (DVCAM/DV) before converting _that_ to NTSC DV25 and encoding that to NTSC MPEG. This would avoid editing in the reduced screen resolution of NTSC DV, but might suffer from being difficult to work interactively (every time I rendered I would have to convert again to NTSC...).
3 is there some way of avoiding a 4:2:0 to 4:1:1 to 4:2:0 double conversion: I ask because DVD MPEG2 and PAL DV/DVCAM are 4:2:0, but NTSC DVCAM/DV is 4:1:1. So all workflows I can see involve some conversion from 4:2:0 to 4:1:1 when going to NTSC, and then back to 4:2:0 when going to MPEG. This is likely to result in some significant quality loss (I'd guess).
Any suggestions of what might be better quality, versus what might be better workflow?
Regards,
Julian
I find myself needing to create an NTSC DVD when all my source footage is PAL.
I understand that most NTSC DVD players won't happily play a PAL DVD (but PAL DVD players generally are happy to play NTSC DVDs). So, rather than reshoot everything in NTSC (budget, doncha know), I need to perform some conversion.
The question is, where in the workflow will it be best to convert?
My footage is PAL DV25 (DVCAM). I am editing this in a native DV25 editing system (Digisuite DTV with Premiere 6). For the PAL DVD I then encode straight to PAL MPEG2 from the Premiere timeline.
Which would give the best results (I am asking here because trying them all out instead requires money...):
1 convert the original source material to NTSC DV25 (choice: by After Effects, or by an external conversion house) and then edit it all in NTSC space before encoding to NTSC MPEG from the timeline. This would permit all work to be in NTSC space, but would it suffer from editing in the reduced screen resolution of NTSC DV (there are some DVE effects)?
2 edit down in PAL, then render to PAL DV25 (DVCAM/DV) before converting _that_ to NTSC DV25 and encoding that to NTSC MPEG. This would avoid editing in the reduced screen resolution of NTSC DV, but might suffer from being difficult to work interactively (every time I rendered I would have to convert again to NTSC...).
3 is there some way of avoiding a 4:2:0 to 4:1:1 to 4:2:0 double conversion: I ask because DVD MPEG2 and PAL DV/DVCAM are 4:2:0, but NTSC DVCAM/DV is 4:1:1. So all workflows I can see involve some conversion from 4:2:0 to 4:1:1 when going to NTSC, and then back to 4:2:0 when going to MPEG. This is likely to result in some significant quality loss (I'd guess).
Any suggestions of what might be better quality, versus what might be better workflow?
Regards,
Julian