Christopher Drews
October 2nd, 2008, 10:13 PM
If I have Avid Adrenaline and I set up my project at 1920x1080 @ 24, my determinations are:
1) 10 bit Codec at 176 MBs with the DNxHD 175 X MXF codec
2) Removes pulldown from 60i HD-SDI signal (single link)
3) Records in Avid DNxHD codec and can create native media compatible with FCP.
My question are these:
1) Are my determinations correct?
2) How does Avid detect and remove pulldown from 60i HD-SDI?
3) If I have an Sony EX3, recording the live 10-bit tap, does pulldown matter (ie 2:3:2:3 or 2:3:3:2)?
The perceived workflow is Sony EX3 > Avid Adrenaline Live Capture > Export in native codec with .mov wrapper.
Thanks for your thoughts,
-C
1) 10 bit Codec at 176 MBs with the DNxHD 175 X MXF codec
2) Removes pulldown from 60i HD-SDI signal (single link)
3) Records in Avid DNxHD codec and can create native media compatible with FCP.
My question are these:
1) Are my determinations correct?
2) How does Avid detect and remove pulldown from 60i HD-SDI?
3) If I have an Sony EX3, recording the live 10-bit tap, does pulldown matter (ie 2:3:2:3 or 2:3:3:2)?
The perceived workflow is Sony EX3 > Avid Adrenaline Live Capture > Export in native codec with .mov wrapper.
Thanks for your thoughts,
-C