John Kim
February 20th, 2004, 07:31 PM
I'm trying to get the "Apple - think different" look.
Clean white lighting on the subject on a flat white background.
My questions:
1) What material is good for the background?
Is any white painted wall or drape fine to use?
2) What light(s) and whattage is suitable for this look?
I filming this with Xl1s.
Thanks in advance.
John
Scott Spears
February 21st, 2004, 11:02 AM
A white cyclorama is best, but you can find those in studios which will run many of hundreds of dollars a day. The white wall is probably your best bet and if you're going to see the floor, lay a white sheet on it.
Lighting wise, you don't need a ton of light on the white wall because well...it's white. I'd use a very soft light on your subject, either a softbox on your light or bouce a light into white foam core. Don't forget to add a backlight to help seperate your subject from the background.
Scott
Martin Garrison
February 21st, 2004, 04:28 PM
You can buy a nine foot wide roll of paper, for around $50. They will roll all the way down onto the floor if you need them to. The 12 foot rolls get a bit more expensive.
Wayne Orr
February 22nd, 2004, 03:49 AM
A good trick to use when you are shooting a white background, is to overexpose the background. This will give you a "whiter than white" look. Then, lock in the camera's exposure (f/stop), and then light the foreground subject correctly for this f/stop.
John Kim
February 23rd, 2004, 12:14 PM
Dude you guys are awesome! Thanks for all your replies.
"A white cyclorama is best...Don't forget to add a backlight to help seperate your subject from the background."
"You can buy a nine foot wide roll of paper, for around $50"
"... overexpose the background. This will give you a "whiter than white" look. Then, lock in the camera's exposure (f/stop), and then light the foreground subject correctly for this f/stop."
John
Richard Veil
March 1st, 2004, 09:09 PM
I would use hard light.. two totas with 650=1k bulbs and 45 degrees
maybe with umbrellas to avoid a hotspot.
Use lightbanks on subject with some hard hightlight
Background close to 2 stops higher that subject.
Pull subject away from background 6-12 ft if possible