Scott Anderson
April 14th, 2004, 05:29 AM
You folks gave me lots of good advice about shooting with white infinity walls, so I thought I'd share the final product.
The Arizona Bridge to Independent Living (ABIL) PSA was shot with my VX-2000, 2 halogen cyc broads, 2 large Photoflex floods with softboxes, a small tungsten Arri kit, and a Scrim Jim for additional bounce. We rented a portable waveform and a large broadcast-grade monitor in order to make sure we were lighting evenly and not clipping. We first managed to light the entire back wall and floor to within about 5% of 85/90%. This is much more challenging than it might seem, and took a long time. In hindsight, I could have used about 2-4 more lights. Then, it was just a matter of lighting talent to read well at that exposure.
The footage was edited on FCP, then sent back to me for a poor-man's filmlook and motion graphics in After Effects. Even though you can see some gradation in the Quicktime, on NTSC the background reads as a nice, even white. I also used After Effects to keep everything nice and legal, so the whites never overmodulate or bleed into the audio channel.
Also take a look at the 2004 Phoenix Film Festival spot. I really enjoy letting loose with pure motion graphics, and the festival has always given me carte blanche to come up with whatever I wanted. I don't know if that's because I'm so damn good, or just because I work cheap. Hmm....
I think both these spots show the value of co-branding with an existing website and graphics package.
From my homepage, click on any of the links or buttons for "VIDEO". Feel free to browse my other examples as well. I know I really need to update the site, but I'm still a complete idiot when it comes to HTML.
members.cox.net/trott10/
The Arizona Bridge to Independent Living (ABIL) PSA was shot with my VX-2000, 2 halogen cyc broads, 2 large Photoflex floods with softboxes, a small tungsten Arri kit, and a Scrim Jim for additional bounce. We rented a portable waveform and a large broadcast-grade monitor in order to make sure we were lighting evenly and not clipping. We first managed to light the entire back wall and floor to within about 5% of 85/90%. This is much more challenging than it might seem, and took a long time. In hindsight, I could have used about 2-4 more lights. Then, it was just a matter of lighting talent to read well at that exposure.
The footage was edited on FCP, then sent back to me for a poor-man's filmlook and motion graphics in After Effects. Even though you can see some gradation in the Quicktime, on NTSC the background reads as a nice, even white. I also used After Effects to keep everything nice and legal, so the whites never overmodulate or bleed into the audio channel.
Also take a look at the 2004 Phoenix Film Festival spot. I really enjoy letting loose with pure motion graphics, and the festival has always given me carte blanche to come up with whatever I wanted. I don't know if that's because I'm so damn good, or just because I work cheap. Hmm....
I think both these spots show the value of co-branding with an existing website and graphics package.
From my homepage, click on any of the links or buttons for "VIDEO". Feel free to browse my other examples as well. I know I really need to update the site, but I'm still a complete idiot when it comes to HTML.
members.cox.net/trott10/