Rick Step
December 18th, 2004, 04:18 PM
Here's my situation...
I'm nearly finished shooting a documentary using a canon XL2 . The settings are 24p 2:2 in 4:3 mode. I'm on a budget, but I also need to have this thing look as good as possible. I've heard color correcting on miniDV tends to break the video quality down if you do too much, so I am considering mastering in DigiBeta. Would I have to up convert all my raw footage to do this? I'm shooting at about 30 to 1, and picking one or two minutes from about 35 tapes.
It seems like I may have to pay out the nose if I convert all of them, and still pay a lot if I'm only converting the footage I need because I just didn't have the time/knowledge/resources to keep track of timecode.
Is it possible to edit from the miniDV and then output a premaster to digibeta, do the color correction, then make the mastor on digibeta....or will that sort of approach give me something that looks exactly like a miniDV master? Thanks,
Rick
I'm nearly finished shooting a documentary using a canon XL2 . The settings are 24p 2:2 in 4:3 mode. I'm on a budget, but I also need to have this thing look as good as possible. I've heard color correcting on miniDV tends to break the video quality down if you do too much, so I am considering mastering in DigiBeta. Would I have to up convert all my raw footage to do this? I'm shooting at about 30 to 1, and picking one or two minutes from about 35 tapes.
It seems like I may have to pay out the nose if I convert all of them, and still pay a lot if I'm only converting the footage I need because I just didn't have the time/knowledge/resources to keep track of timecode.
Is it possible to edit from the miniDV and then output a premaster to digibeta, do the color correction, then make the mastor on digibeta....or will that sort of approach give me something that looks exactly like a miniDV master? Thanks,
Rick