Bruce Schultz
July 24th, 2010, 01:14 PM
I posted an earlier version of this but it was deleted for some reason by the listmum. I'll try again here . .
For all NanoFlashHeads I'm posting an air date notice for an episode of "The Universe" show on the History Channel next week which I was honored to be the 3D Stereo Director of Photography on.
It's called "7 Wonders Of The Solar System" and it will show first in 2D on the History Channel (HD & SD) Thursday July 29 @ 9pm EDST. The 3D version will air the following night July 30 on DirecTV channel #103 n3D at 10pm EDST. SKY TV in Europe will air the 3D version later this year.
The live action 3D segments were filmed on location(s) around Los Angeles. I used a 3D beamsplitter mirror rig, Sony EX cameras, and 2 Nano Flash recorders. The Nano Flash units were set to record I-frame only @140MBs twin data streams. Thanks to the custom built trigger from C-D, the two genlocked data streams stayed in perfect timecode sync throughout production, and post production indicated that only minor color correction was required for matching.
Kudos (once again) to C-D for developing such a great and useful product.
This is the first History Channel 3D production, and I was proud to be a part of a great show. I hope you all like it as well.
For all NanoFlashHeads I'm posting an air date notice for an episode of "The Universe" show on the History Channel next week which I was honored to be the 3D Stereo Director of Photography on.
It's called "7 Wonders Of The Solar System" and it will show first in 2D on the History Channel (HD & SD) Thursday July 29 @ 9pm EDST. The 3D version will air the following night July 30 on DirecTV channel #103 n3D at 10pm EDST. SKY TV in Europe will air the 3D version later this year.
The live action 3D segments were filmed on location(s) around Los Angeles. I used a 3D beamsplitter mirror rig, Sony EX cameras, and 2 Nano Flash recorders. The Nano Flash units were set to record I-frame only @140MBs twin data streams. Thanks to the custom built trigger from C-D, the two genlocked data streams stayed in perfect timecode sync throughout production, and post production indicated that only minor color correction was required for matching.
Kudos (once again) to C-D for developing such a great and useful product.
This is the first History Channel 3D production, and I was proud to be a part of a great show. I hope you all like it as well.