Nathan Lawrence
October 19th, 2010, 10:19 PM
There seem to be several posts that hint at this issue, but none seem to address it directly.
I currently shoot with an EX3 and use Final Cut Studio 2. Nearly all of my work is for SD DVDs, and that probably won't be changing anytime soon. I have noticed my conversions to DVD improved dramatically since getting the EX3, as compared with the transcoding from HDV (Canon XHA1). Currently, I export all of my sequences to ProRes HQ before transcoding for DVD. My question about the Nanoflash... If I'm recording at 50 mbps or 100, will my SD DVDs look noticeably better, using Compressor 3.0 and my current workflow? I love everything I am reading about the Nanoflash, but since I don't do anything for broadcast, have never done any green screen work, I'm wondering if it is the tool for me at this point.
I don't think the option to record DVD-ready files is a good one for me as I almost always have a lot of cutting to do (use 2-cameras most of the time).
Thanks very much.
Nathan Lawrence
I currently shoot with an EX3 and use Final Cut Studio 2. Nearly all of my work is for SD DVDs, and that probably won't be changing anytime soon. I have noticed my conversions to DVD improved dramatically since getting the EX3, as compared with the transcoding from HDV (Canon XHA1). Currently, I export all of my sequences to ProRes HQ before transcoding for DVD. My question about the Nanoflash... If I'm recording at 50 mbps or 100, will my SD DVDs look noticeably better, using Compressor 3.0 and my current workflow? I love everything I am reading about the Nanoflash, but since I don't do anything for broadcast, have never done any green screen work, I'm wondering if it is the tool for me at this point.
I don't think the option to record DVD-ready files is a good one for me as I almost always have a lot of cutting to do (use 2-cameras most of the time).
Thanks very much.
Nathan Lawrence