Zulkifli Yusof
June 2nd, 2006, 08:37 AM
Hi all
I've just recently shot a short on 16mm and last wednesday had it telecine'd. Now I believe the editor is busy syncing and doing up a first assembly. After telecine, I've been wondering about a few things:
- I had the colourist letterbox the film before dumping to the d-beta master. If my editor does further colour manipulation in FCP, would the black bars be affected as well?
- I shot a scene on 2 different nights and on 2 different film stocks and one of the shots is 1 stop over than the rest. I forgot to mention that to the colourist during telecine. What can my editor do to match the exposure in FCP?
Thanks
I've just recently shot a short on 16mm and last wednesday had it telecine'd. Now I believe the editor is busy syncing and doing up a first assembly. After telecine, I've been wondering about a few things:
- I had the colourist letterbox the film before dumping to the d-beta master. If my editor does further colour manipulation in FCP, would the black bars be affected as well?
- I shot a scene on 2 different nights and on 2 different film stocks and one of the shots is 1 stop over than the rest. I forgot to mention that to the colourist during telecine. What can my editor do to match the exposure in FCP?
Thanks