Jaime Valles
May 15th, 2003, 01:45 PM
Hello, all. So, yesterday I walked into to B&H with nothing but my wallet, and left with what felt like half the store! I'm currently purchasing all the equipment for shooting a MiniDV feature this Summer in Puerto Rico, and I leave in 5 days. So, I'd just like to post a list of the equipment that I've bought so far, and the stuff I'm gonna get in the very near future, and hopefully you all will share your suggestions, tips, and warnings about the equipment I'm getting.
Before I start the list, I should fill you in on the nature of the project. It's a 90 minute comedy set in a High School, about a bunch of friends getting into all sorts of trouble. My brother and I have been writing the screenplay for the last two years, and it's finally time to put it to the test. The ultimate goal is for theatrical distribution.
With that in mind, here's the equipment I've already purchased:
1 Panasonic DVX100 NTSC
1 Extra 4 hour battery
1 Petrol soft carrying case
1 Tiffen circular polarizing filter
1 HHB Portadisc MiniDisc recorder w/ carrying case
1 Senheiser ME66 shotgun microphone w/ K6 power module
1 Basic foam windshield for ME66
1 Gitzo 9' fishpole
1 Audio Technica standard shockmount
2 25' XLR cables
1 Pair of Sony headphones
Equipment that I have yet to purchase:
1 Tripod w/ fluid head
1 Glidecam V-8 camera stabilization system
1 Cobra Crane jib arm
1 NTSC production monitor
1 JTL Everlight Kit w/ 3 lights
3 Spare bulbs for lights
3 Extension cords
1 Surge protector
S-video & RCA cables
This is everything I think I need for now. I'll have a week and a half to test all this stuff and figure out the workflow. If you see any glaring omissions, please post them!
One other thing. My hope is that this ends up in a movie theater. However, I am very aware that MiniDV has many limitations in terms of image quality when compared to 35mm film. I have seen footage of the DVX100 projected on a screen after transfer to film, and for my purposes it's more than good enough. Also, I have restrained myself from getting the anamorphic widescreen adapter, because I don't believe that the slight increase in resolution will outweigh the cost and the hassle of working with said adapter. Plus, it won't suddenly make my movie look like Braveheart just by adding the adapter. I'd rather be able to focus properly, use the filters I want, use the optical image stabilizer, and spend the money on post-production, than gain 100 lines of resolution.
That said, I can't wait to get started. I'm still working on the storyboards, and the contracts, permits, insurance, costumes, and getting a crew. Any thoughts on all this would be greatly appreciated.
Thanks for listening (reading?) and thanks to DVinfo for being a wonderful, knowledgeable, and friendly community. When I come back in August, I'll start asking you all for info on editing ;)
Wish me luck!
Jaime
Before I start the list, I should fill you in on the nature of the project. It's a 90 minute comedy set in a High School, about a bunch of friends getting into all sorts of trouble. My brother and I have been writing the screenplay for the last two years, and it's finally time to put it to the test. The ultimate goal is for theatrical distribution.
With that in mind, here's the equipment I've already purchased:
1 Panasonic DVX100 NTSC
1 Extra 4 hour battery
1 Petrol soft carrying case
1 Tiffen circular polarizing filter
1 HHB Portadisc MiniDisc recorder w/ carrying case
1 Senheiser ME66 shotgun microphone w/ K6 power module
1 Basic foam windshield for ME66
1 Gitzo 9' fishpole
1 Audio Technica standard shockmount
2 25' XLR cables
1 Pair of Sony headphones
Equipment that I have yet to purchase:
1 Tripod w/ fluid head
1 Glidecam V-8 camera stabilization system
1 Cobra Crane jib arm
1 NTSC production monitor
1 JTL Everlight Kit w/ 3 lights
3 Spare bulbs for lights
3 Extension cords
1 Surge protector
S-video & RCA cables
This is everything I think I need for now. I'll have a week and a half to test all this stuff and figure out the workflow. If you see any glaring omissions, please post them!
One other thing. My hope is that this ends up in a movie theater. However, I am very aware that MiniDV has many limitations in terms of image quality when compared to 35mm film. I have seen footage of the DVX100 projected on a screen after transfer to film, and for my purposes it's more than good enough. Also, I have restrained myself from getting the anamorphic widescreen adapter, because I don't believe that the slight increase in resolution will outweigh the cost and the hassle of working with said adapter. Plus, it won't suddenly make my movie look like Braveheart just by adding the adapter. I'd rather be able to focus properly, use the filters I want, use the optical image stabilizer, and spend the money on post-production, than gain 100 lines of resolution.
That said, I can't wait to get started. I'm still working on the storyboards, and the contracts, permits, insurance, costumes, and getting a crew. Any thoughts on all this would be greatly appreciated.
Thanks for listening (reading?) and thanks to DVinfo for being a wonderful, knowledgeable, and friendly community. When I come back in August, I'll start asking you all for info on editing ;)
Wish me luck!
Jaime