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Re: Anyone hearing anything about a C100 MKIII announcement yet?
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Just out of curiosity, how can one "attack a camera"? Does the camera have feelings? Does it's esteem and personal worth suffer because one of us rude humans didn't like it? My 80D told me this morning that it doesn't care one lick about the rude bullies in this thread and all of the nastiness they heaped on him. I think my 80D has higher self esteem than your GH4 ;-) |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
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Perhaps this is a British / American cultural difference in the use of the word. However I see no mention of feelings in that broad definition there. To be honest, I can't say anymore on the C100 Mark III as it's all speculation. Will monitor NAB for any announcements, but not holding my breath. I did ask one guy to confirm his sources on how he knows for certain it'll have 4K 60p. Would be interested to know. Knowing Canon, they'll give the C100 Mark III 4K but make it a crop on the sensor just for the sake of making it not the C300. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
Returning to the topic, sort of, and trying to avoid the flying handbags...
I agree that content is king but it also depends on how the client wants that content delivered. If they are happy with a C100, 80D, G4, or whatever, then it's obviously ok to use that level of gear provided it will do the job you want. I'm currently working on a doc for broadcast TV and in answer to an initial enquiry about the delivery specs we were told quite directly that "a C300mk2 shooting 4k is the minimum they would accept." So for us the camera specs were critical. Specs are vital for many people and these forums offer great advice on what cameras will or will not do the job and I have learnt a lot. Photography, whether still or moving, is an unusual blend of technical and artistic considerations, You can't ignore either if you want people to see your product. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
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I hope Dan is not offended by our mild bit of hand bag waving at each other, but I can assure him and others, the last thing I wish to see is this forum detract from it's subject more than it already has. Always willing to read any other thoughts on the C100 Mark III and any possible info too. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
The latest is I have now heard from two, independent sources that Canon will show no new camera at NAB. This is shaping up to be one of the more ho hum NABs in recent memory. Canon will obviously intro a new sub $10k camera at some point, but it sounds as if there is a good chance none of us will have it in hand before 2018. Sigh.
In the meanwhile, my C100 is still making me money. I shot more C300 MKII jobs last year, this year, so far, not one 4K project yet. Funny how demand ebbs and flows. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
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Re: Anyone hearing anything about a C100 MKIII announcement yet?
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P.S. I'm a Treacle Tart fan if you're offering. Maybe with a small dollop of Ice Cream if that's not imposing too much. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
A favorite Spike Lee movie quote comes to mind...
"Those who will tell, don't know. Those who will know, won't tell." Meaning, basically, that I doubt Sabyasachi is able to reveal his sources. |
Re: Anyone hearing anything about a C100 MKIII announcement yet?
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I'm tempted by the C300 Mark II but my Bank Balance has put paid to that dream. :) |
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Re: Anyone hearing anything about a C100 MKIII announcement yet?
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1. Noob buys cheap tripod, tries to put their shiny new camera on it and attempts professional moves. "This thing sucks, I need something better." Takes $200.00 loss to get rid of cheap tripod or throws it away in disgust. 2. Spends double the amount, $400.00, doesn't realize until using it that they just bought a fancier version of the cheap junk they just got rid of. Too busy, pre-occupied to sell it, it sits in the closet or gear locker. 3. Buys $1,000.00 tripod that is beginning to approach something decent but then goes from a DSLR/Mirrorless to a real video camera that weighs eight times as much so $1,000.00 tripod is now struggling with pro video camera. Same thing, too busy to list and deal with Ebay, gives it to cousin to who is shooting weddings. 4. Buys $4,000.00 Sachtler, Miller, Vinten, used O'Connor, finally achieves camera support nirvana. A professional head, resting on light, rigid carbon fiber legs, great pan handle, nice bag. So let's see, starting out, spent $200.00 on junk, $400.00 on junk, $1,000.00 on halfway decent but still too light without enough mass and too much counterbalance for a 2lb mirrorless, $4,000.00 for a proper tripod and head. Total expenditure, $5,600.00 over 2-3 years. Imagine the tripod and head one could have bought with $5,600.00 right out the gate? The kind that would last for two decades and support the next five cameras you own? It seems as if most of us go through this process with all of the gear that we buy. Too bad more of us don't adhere to the "buy once, cry once" school of thought. When I think back or even go through my garage shelves, I look at all of the cheap matte boxes, FFs, tripods, lighting and together, it adds up to significant money I wasted when I should have been buying good stuff. My current regular Sachtler and Miller legs, I bought eleven years ago and they have already been through five cameras. It's tougher with cameras because they are all outdated so quickly but with all of the support gear and audio, buying subpar support gear is just wasted money. I've had a full C300 MKII package sitting in a shopping cart numerous times but the overall cost keeps causing me to not pull the trigger. |
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