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Crush problem solved - QT 7.6
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Spread the word: it works! This is a big deal.
Fixes the clipping also. No more need for cumbersome work-arounds. Yay! |
Great news, I can't wait to test this one
Dan |
funny, I saw the quicktime update come in today, but delayed installing it due to a massive archiving/copying job I'm enduring... now can't wait for the last 500GB to copy!
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Now we just need a easily accessible transcoding app
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1 Attachment(s)
Yea!
On Tuesday I did a presentation on the 5D Mark II to the local Final Cut Pro group. I shot this footage live in front of the audience and transcoded the "before" clip using QuickTime 7.5.5 in Compressor, it's the one on the right. I upgraded to 7.6 and recompressed today using the same Apple ProRes setting. You can see the "after" on the left. Look at the difference in shadow detail. |
Does this help if you use Vegas to edit?
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It looks much better than before, on Vegas anyways. Histogram does show gaps though, worries me?! ...Performance still slow.
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There's no question that it's completely fixed on my system. It's a "whole" image for the first time - like a new camera. Thanks for a quick response Apple. Now I'm really psyched.
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strange, just ran the update and seeing no change here...
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But is it stable?
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Am I the only one with this problem? I would love to use proxies, but I can never revert back to the originals without crashing. |
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The new Quicktime solution is good for a quick fix. It works in Vegas. (I don't know about other NLEs. Sorry.) However, be aware of the following:
* The new Quicktime decoder captures the blacks and whites (yay!), but slightly increases the gamma. Your mid tones will be brighter, and there will be some black stretch. * The adjustments are done with an 8-bit output. The result is gaps and peaks in the histogram. This could lead to slightly more contouring and quantization error. Fortunately, * You can still do the re-wrap trick in Vegas. You still need to do the re-size and re-center thing. * The re-wrap levels are the same as before - perfect. There are no gaps all the way from 0 to 255. The Bottom Line: * Upgrade! * Feel free to use the MOV file for quick work, especially if you don't plan to color correct. * Maybe the brighter gamma levels look good, maybe not. It's a judgment call. * Rewrap to MP4 if you want the best possible quality, don't want the boosted mid-tones, or if you plan to color correct. For color grading, you want all the levels you can get. I would prefer if the decoded output was more faithful to the camera output, but I'm not complaining. The new decoder gives us a solution for fast turnaround, without the black crush. And we can still re-wrap for best quality. |
@Jon,
I can confirm that I'm getting the same results (gamma, mid-tones etc.) as you have, with both Premiere CS3 and Vegas 8.0c. I used the scopes to compare the 5D MKII 2 MOV file to a Cineform AVI file that was converted from the original MOV file. |
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