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Myong, please be very, very careful about "rumors" from other video-related websites, as they are often quite unsubstantiated, with little or no bearing on reality. The primary reason why I started DV Info Net was to get away from the sort of nonsense you read elsewhere and provide a safe haven for intelligent, serious discussion about this technology and the way we can use it. The rumors that you read on other sites are doing a serious disservice to you, and it becomes worse when such nonsense is spread around even further. I'm glad you found our place here; however I'd like to humbly ask to please keep the "rumor" sightings that you may have seen elsewhere, off of our boards. If something is legitimate and true, you'll find it right here; no need to look anywhere else. All of us here work hard to separate the myths and the nonsense from real information and real facts; that's what makes us different (and in my opinion, so much better) than other camcorder-related sites. Hope this helps,
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Canon optional mic?
Does anyone have the optional Xi mic? Does it eliminate motor noise? Is it an improvement for general use?
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Robert, it is the same mic that's been extensively discussed in the GL2 forum. Do a search there for the "DM-50" and you should bring up several threads. Hope this helps,
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I see people suggest to get the Schriber 568 instead, but that is not stereo. I will just figure out how much the motor noise bothers me first. I am very happy with the sound of the built in mic. My dog thinks it is really me talking, and you know how when you hear yourself in a recording and it does not sound like you? Well, the built in mic sounds like me! Then again, I was playing it on $20,000 speakers.
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Re: An Owner's Initial Experience
<<<-- Originally posted by Myong Kim : 9) The Night and Super Night modes are kinda gimmicky, but perhaps I could use them for some special effects at a later point.
Again, there are many other special effects that I haven't played with (like the entire Digital Effects that seem to produce quite a bit of cool effects) and other features I haven't touched (like Audio Dubbing, DVD transport, etc. etc.). Myong Kim -->>> The viewfinder is way pixilated because it is a color LCD. They should use a highres BW monitor and keep the color LCD for the flip-out only. But consumers would say 'black and white yuck.' The Nightmode is great! How else can you get well lit video without that kind of slow exposure? I mean, it allows you to shoot in low light. Not gimicky at all. In fact, this camera has tons of gimicks, but that is not one of them. The other digital effects are stupid and muddy up the UI. The camera cannot shoot mpeg4 in 16:9 for some reason. How is the wide adaptor? Does it allow full zoom? The camera is killer sharp and will focus real close. I have a little mpeg from it here: http://www.photomosaic.com/movies You seem to need WM9 on a PC to play it. |
When you are talking, your voice resonates inside you (kind of) and you hear it differently than the person you are talking to. If you take a recording of yourself and add reverb, it sounds more like you from *your perspective*. If the mic sounds like you then it doesn't necessarily mean that the mic is good. I'm just skeptical that's all. Camcorder mics tend to suck, so I'm extra skeptical.
The speakers issue: Listening speakers may not have flat frequency response and may be doing things to your sound (making it sound "better"), but that doesn't necessarily mean your mic is good. Speakers that expensive should have good dynamic range though, so you should be able to pick up motor noise...? For more accurate measurement of how good the mic is, you'd want monitor headphones like the MDR-7506 ($150ish?) or monitor speakers like Genelecs ($5k?). Your speakers seem to be too overpriced to be Genelecs (which AFAIK are the ultimate monitoring speakers, and the most expensive)??? Again I'm just being skeptical here, not trying to start some sort of pissing contest. By the way, what kind of mic is the Schriber 568? Never heard of it. |
http://www.nrgresearch.com/sa568.htm
My speakers are Meridian DSP6000s http://www.meridian-audio.com/p_d6k.htm |
Re: Re: An Owner's Initial Experience
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Under what sort of night shootings have you found the Nightmode to be most effective? Quote:
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Myong |
Well actually it was one way to get a normal exposure indoors last night when I first tried the camcorder. True, you can also go into TV and put in 1/15 or something -- but the whole point of those quick access modes is to quickly get some working set of settings for a given situation.
So now my issue is I don't like the aliasing I get in 16:9 mode. I have not tried 4:3 yet but I will today. But I have not been blown away by 16:9 although I don't have a Sony 330, 70, 80, or other camera here to compare it to. |
When I tried the Night mode, it wasn't in an indoor environment. It was actually taken outdoors at night. Now you got me curious to try this mode indoors to see if I could get better results with this mode in comparison to TV tweaking.
I also do not have the first-hand experience with the Sony or Pana counterparts, but from all the user comments I've read, Xi's 16:9 feature suppose to produce better results. Comparing with other camcorders in the same price category, I wouldn't be disappointed with the Xi. |
I did my first shooting and I got a lot of wind or handling noise. I am confused by it because it seemed perfectly calm, etc.
I am happy to say that the camera looks about as good in 16:9 as 4:3, so I can keep it in 16:9. At 1/30 of a second shutter the image gets blocky, which must have to do with the way the CCD integrates over time. 1/60 is the single best shutter speed. My current feeling on the camera is that it has more sharpening than I would like which leads to video noise. I am just assuming they are doing sharpening, if they are they are making the camera much less like a pro camera. I wish there was a way to reduce this. I also think I see a CCD pattern in the image which is most noticable on pans over light scenes. I also realised that lower noise is a benefit of a 3-CCD camera since the noise is averaged out. I would love to have an hour with a 953 and Sony 330 because I would instantly know much more than I do now. |
Try shooting with the Windshield on and see if it makes a substantial difference reducing the wind noise.
Would love to hear of your comparison when you do get a chance to try other brand camcorders. |
You mean the windshield button? I am afraid to use it. How can such a feature work without physical foam? Since they did not explain it, I am afraid of what it does.
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Also note that digital zoom does not work when Night Mode is on. This leads me to believe that Night Mode does 'binning' which means combining pixels into larger, more sensitive ones. This is done on CCD imagers for astronomy. In other words, a real feature. See http://www.ccddirect.com/online-store/scstore/binning.html
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Is there a way to keep it from saying my time zone when it turns on? My time zone is N.Y. It turns out I don't much like NY, and I don't like seeing it each time I turn the camera on.
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Ok, my friend gave me a tape shot on his 953. I compared it to the Xi on my 36 inch 16:9 tube HDTV. I compared indoor and outdoor footage. The Xi was sharper and had more contrast (not sure if the extra contrast is from a better lens or from the CCD and/or digital processing). The Panasonic had a little less noise visible in the shadows. It was hard to compare color, but I did not get the feeling that the Xi had worse color.
But I feel good now, because I was dissapointed in the Xi at first because I am so used to seeing only high end stuff (the last camera I used was a Panasonic HDC27P (720p). But watching the Xi at 16:9 on my set blew away watching the 953 at 4:3 on my set. But my general feeling was that the Xi was equal or better either in 4:3 or 16:9 (well certainly better at 16:9). |
Re: Re: An Owner's Initial Experience
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I also got to try the Xi's various Digital Effects, and I wouldn't charcterize them as "gimmicky" at all. I found so many features that were quite useful. The most useful of them all was Black and White for both stills and taping. I found that the B&W still shots worked the best with human objects, as it rendered such smooth and dreamy skin tones. I also tried panoramic shots in B&W with great results. I also had a lot of fun taping in "Art," "Box," "Ball" and other such digital effects. |
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