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Polarisers can also give strange results with a wide-angle lens, leaving half the sky pale, and the other half dark. And similarly if you are panning across a landscape - effectively you are widening the angle. Remember the polariser works best at 90 degrees to the sun. |
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Recently i shot some ads in HDV for SD.
My sharpening technique was editing the ad in FCP ProRes, adding 25% Sharpening. Then i nest the ProRes sequence in a SD one. The HD sharpening is not disturbing because the SD resolution is not able to read the smaller contours, but the perceived image sharpness can be raised a lot. Maybe it's even better to put the HDV clips directly in the SD sequence and apply the Sharpen there. I have to try it |
thanks for the info paolo!
Does anyone else have an opinion on in-camera sharpening vs. sharpening in fcp? |
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And i add: in camera sharpening happens before encoding and could affect the encoding process negatively because the codec could break more easily due to excess of image information. On the other hand sharpening in FCP could be applied in different ways depending on the final media. |
thanks giovanni, thats an interesting point. so it sounds like shooting at -9 is the way to go for important projects.
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Sharpening
Does anyone else have an opinion on in-camera sharpening vs. sharpening in fcp? "
I personally do not add sharpening in camera. You can do that in post if necessary. |
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