Mark Harmer |
May 17th, 2007 01:43 AM |
Quote:
Originally Posted by Gregg Havens
(Post 680790)
Mark,
As a real newbie at this stuff, I wondered how many takes you made to make this happen. I can see the wide shot, close-up of hands, shot from front and the "flowers".
Wonderful
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The audio recording was done in one take with the odd "repair", a few days before shooting the video. I used a pair of mics through a firewire audio interface and edited that in adobe audition. I also created a version with some vocal count-ins, which I saved as an mp3 file onto a portable player.
We didn't plan the shots so we did 10 takes of the complete music, of which five didn't make it into the final thing - and they didn't make it because the shot sizes were too similar to the others.
The other five were the very long shot of me, two of the harp seen from the front (different sizes - one with fingers on strings, one head / shoulders / sometimes wider), one of the harp low down amongst the flowers, and one of close-ups including that intriging pull-focus shot between the strings and the flowers behind. All of those were done to the playback of the recording - using a portable amp and mp3 player just behind me. In order to sync the start and end (for example, where I put my hands on the strings to stop them sounding) I used the voice count-ins to the playback. I used a gun mic on the camera just to pick up the amplifier sound so I could sync the tracks back in Premiere pro.
We could have done it with fewer takes and more planning - but in a way the more takes I had the more I got used to syncing to the playback. Also it was an excuse for my wife to get used to the camera as we were about to embark on this big project.
The main problems we had were focus ones (the push-AF button isn't in an obvious place, as many people have pointed out!) and the viewfinder, despite being on the shapest setting, still isn't very good for focussing.
I've done a couple of pieces of "multicamera" now - syncing to playback or occasionally, using more than one camera simultaneously. Premiere Pro is my editor of choice because you can sync up the shots and then choose them on the fly using something a bit like a vision mixing gallery, just pressing the keys for the appropriate camera. That makes for quite a good starting-point and saves a lot of time producing an initial rough-cut.
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