Michael Galvan |
June 30th, 2008 08:01 AM |
Quote:
Originally Posted by Erwin Vanderhoydonks
(Post 900969)
Thanks for the feedback, but I think this gives me more questions... I'm very new in this HD world...
Format : HDV and XDCAM. For the moment I use PAL DV format. The only thing I see as a big difference between DHV and XDCAM is the output format. Or am I wrong ?
Workflow : Tape or Flash. As I said, for the moment I use Tape. Nothing wrong with it for the moment. Only that I have to read every tape again after the shooting. And otherwise I have to carry my macbook pro to copy onstage the SxS cards. Now I have to change a tape.
So the only thing is the format : HDV or XDCAM ? Any help here...
Thanks.
|
I think you are simplifying the workflow here a bit. When I first started shooting with the EX1, the tapeless workflow showed great benefits for cinema production, but not for some eng and event work. Having to offload in the field when you are a minimal sized crew (or by myself) wasn't the easiest thing in the world, especially with a time restriction. You have to really see what type of shooting you will be doing.
HDV vs. XDCAM EX? Well XDCAM EX is a technically superior format, being everything HDV is, only being native full raster, higher bitrate, and variable at that.
But that being said, Canon HDV does the job as well, its just a matter again of what you will be shooting as the workflow seems to be the decider. Tape or SxS cards ...
The plus with the Canon is that there is tape along with the HD-SDI, so you have the option to go tapeless as well ... I use an AJA IO HD to record superb footage from the HD-SDI, far superior to what laid to tape or SxS card ... but then that's a different type of shooting altogether. I guess I'm just saying you can have both tape and tapeless with the Canon (albiet higher priced though).
|