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My thought is that this laptop paired with the Matrox MXO2 Mini might be a good solution for people like me who have the HV series camcorders from Canon and can get 4:2:2 color via the HDMI port and use Cineform software to improve the workflow. |
This thread started 2 years ago in November 13th, 2007, 04:29 PM ...
"CineForm HDMI Recorder Concept " still concept ? ! |
Not quite. No hardware manufacture wanted to build the the prototype we proposed. :(
However, this CineForm recorder will be out in a couple of months (if not sooner.) cinedeckHD Hardware's done just software to finish. |
That's amazing David, and very sad. Too many vested interests out there? I've always had the impression that CineForm quality and workflow has been a thorn in the side of the big players. I do wonder if ProRes would exist at all if it weren't for CineForm...
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Or are you building just the software for the cinedeck? |
CineDeck developer licensed our codec.
We have alway been a 99% software company, and the HMDI recorder project was going to happen the same way. We did have a hardware partner earlier in the project, but they went belly-up. Still open for others. We are still looking for non-custom hardware solution for this, like an Atom based netbook/embedded motherboard -- the performance is not quite there yet (so close though.) |
David, thank you for info about CineDeck.
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I've commented on the Atom spec's before in this long thread. Over 12-months ago 1.6Ghz dual Atom would encode 1080p at 16-17fps, with 533MHz FSB. The memory bus is faster now and clocks up a bit, but otherwise that haven't change much in a while. The missing feature to Atom setup is a single PCI-Express lane, so we can feed HDMI in without a big hardware effort. If as can get to 20fps with a PCI-E lane, we can do 24p/30i through SSD buffering -- it is really close.
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ProRES (DCT) and CineForm (Wavelet) are too vary different technologies, but in many case serves the same purpose -- higher quality intermediate. However, Richard is more correct than is publicly known. More generally I think Avid's DNxHD and CineForm, lead Apple to ProRES. This is always a license, buy, or build it yourself decision, ProRES was not created in a vacuum.
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Completely understood. I am aware of the DNx/ProRes connection, just couldn't see how to extrapolate that to Cineform, which if my information is correct, predates them both.
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Yes, CineForm pre-dates both, and the first is still the best :)
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I mean will I be plugging in my camera to the Cineform device and recording directly onto the netbook/nettop device? Will I have a live feed on the netbook so I can use it as a external monitor? Or will it be a offline device and convert my tapes/mt2 files after I have got them off the camera? |
The idea has always been to bypass camera compression recording CineForm directly in a mobile device -- whether that design included monitoring was only a bonus feature not a requirement.
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