Robert Martens |
August 26th, 2006 12:45 PM |
Quote:
Originally Posted by Chris Barcellos
eventually, one of us would break the change, and then for about a year we would resort to screwing and unscrewing the bulb to turn it off an on....Using our dirty socks for insulation at turn of time.
|
Ha ha, Chris, that's great! Glad you can relate, that high/low technology look is what I was initially aiming for, I thought it might have been lost in the translation from page to screen. Bit of trivia for you, he's not actually turning the bulb. Tried that the first day of shooting, but after deciding to reshoot everything with some more lighting, I ended up using the rheostat--what I'd called a transformer before is actually AC all the way through--to control the level of light, and when it needed to turn off (and later on, blow out) I just flipped the power switch.
Those interested in learning more would do well to look at this behind the scenes photo I took during a break: http://www.gyroshot.com/images/cube.jpg
Everything is arranged exactly as it was when shooting, except for the camera and the door. The small light you see on that little rolling gray table provided the "night" illumination, and was pointed backward to bounce off of the roll-up door, which as you can see is painted white. Gave a nice effect, I think.
As for the gauges, we velcroed some water pressure gauges to the wall, screwed in a couple of half inch copper straps, and hand-labeled the plastic covers (to give it that low-tech look). To make it change, we opened the cover, and my dad held it as close as possible while pushing the back of the needle with a pencil. You can't see it so well with the widescreen cropping I've done (and even less so with the updated versions I'm preparing for release after judging takes place), but the actual 4:3 recording reveals the trick. Worked out nicely.
|