You captured it in Avid 1080i HDV project?

Heath I just got to reading your helpful paper. A question:

The interlace frame you found was nice because it had combing. When I was stepping through some 24p -- I didn't find combing at all. But, I did find two frames that were identical -- every five frames. I assumed, perhaps wrongly, that these were the 2 judder frames.

I'm asking because I did something wrong, because after importing back into FCP I clearly had a messed-up frame at regular intervals.

Sony V1
 

Hey Heath and everyone,

Just got a Sony V1 recently and been looking at potential workflows for progressive. Trying to get my head round this whole pull down - is it only if the framerates dont fit neatly? I am just about to ask a silly question I think... but there is much talk of 24p, what about 25p? This is the progressive offered on the V1. Would I use this same method in the article? Hmm, just looked at cam specs, and it says 24p. But in the menu and on screen it says 25pscan? Confused.

Nick

The V1E offers 25p mode, not 24p mode, and there is no pulldown to worry about with 25p.

At that point, I'd just export a regular QuickTime Movie (not conversion) that's set up as a photo - jpeg at 75% quality (not HDV) from your timeline. Once that's done, open it in Cinema Tools and conform it to 23.98 fps. Re-import on a photo - jpeg 75% timeline at 23.98 fps (you can start with HDV to get the frame size, etc., right, but the compressor should be photo - jpeg 75%). Render and there you go.

heath

pscan on V1
 

HI again,

This is the info I was going off on the V1:

http://bssc.sel.sony.com/Broadcastan...ogressive.html

Is this differnt because it is not the Euro version?

Nick

Correct. V1U would refer to a US model. E refers to a European model.