DV Info Net
Page 2 of 2 1 2
Show 40 post(s) from this thread on one page

DV Info Net (https://www.dvinfo.net/forum/)
-   Final Cut Suite (https://www.dvinfo.net/forum/final-cut-suite/)
-   -   First Impressions of ProRes (https://www.dvinfo.net/forum/final-cut-suite/94348-first-impressions-prores.html)

Nate Weaver May 28th, 2007 10:31 AM
Quote:
Originally Posted by Steven D. Martin (Post 687438)
The ProRes and HDV clips looked fine, but the AIC clip was a full stop brighter in Color. This did not show up in FCP. Does anyone know how to account for this?
Quote:
Originally Posted by Glenn Chan (Post 687498)
It might be a Quicktime or Quicktime-Color bug. Before in Final Touch, you would get color errors for some formats so this could be the case.

Quicktime has a lot of inappropriate color management being applied bugs.
It's a display gamma issue, not a trancoding one. If you take the files in question and output via Kona or Decklink, they are fine. Quicktime player is applying an incorrect display gamma for ProRes.

Gene Crucean May 29th, 2007 10:08 AM
Either way. Report it to Apple and make sure they know.

http://www.apple.com/feedback/finalcutpro.html

Jerry Matese May 30th, 2007 04:14 AM
ProRes for SD
 
Worthy noting is the SD version of the ProRes codec. If you still capture from analog such as Beta SP, using the ProRes SD verses uncompressed SD will save considerable hard drive space and has a bit rate of 46 Mb/s verses 176 Mb/s for 10 bit SD. Also worth exploring is transcoding from HDV to ProRes SD which should yield far superior results for typical SD broadcast than using most of these prosumer camcorders in DV or DVCAM mode when recording.

Transcoding from HDV to ProRes HD probably won't make much sence unless your mixing it with other ProRes HD footage derived from uncompresses media, or you plan to do a lot of compositing effects or keying to the clip. Delivery medium should also be considered.

Darren Shroeger June 6th, 2008 10:04 AM
Quote:
Originally Posted by Jerry Matese (Post 688834)
Also worth exploring is transcoding from HDV to ProRes SD which should yield far superior results for typical SD broadcast than using most of these prosumer camcorders in DV or DVCAM mode when recording.
This is extremely interesting to me as I just finished shooting 8 hours of HDV. When shooting I planned to crop the footage in post for SD DVD final program.

Due to the amount of footage I have been carefully researching the most efficient way to proceed and ProRes SD sounds great...

The link below shows how to capture from HDV directly into ProRes, I'm hoping there is a similar way to get my HDV into cropped 4:3 ProRes SD on capture.

http://edu.moviola.com/hdv_prores


Darren


All times are GMT -6. The time now is 05:48 AM.
Page 2 of 2 1 2
Show 40 post(s) from this thread on one page

DV Info Net -- Real Names, Real People, Real Info!
1998-2025 The Digital Video Information Network