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-   -   The "The camera to get" (https://www.dvinfo.net/forum/general-hd-720-1080-acquisition/91678-camera-get.html)

Meryem Ersoz June 3rd, 2007 08:30 PM

Quote:

Originally Posted by Mike Burgess (Post 690425)
How about a $2000 "prosumer" camcorder with large enough multiple sensor chips (3 third inch CCDs or 3 third inch CMOS), 20X zoom, minimum 60 degree wide angle, decent mics with XLR, capable of matching the PQ of the HV20, FX7, etc., with the more common manual controls without getting overboard and overwhelming simpletons like me.

so you basically want an XH A1 or V1U...since that's exactly the camera you are describing. but think they're what? overpriced?

we're getting unprecedented feature sets at unprecedented prices. at the risk of repeating myself, we're getting unbelievable $1000 cameras that require a $3000 editing system and a $4000 TV upgrade to watch. oh, yeah and add in a $500 hi-def DVD player...most of us can afford more camera than we can actually afford to view.

i just don't get complaining about the prices of cameras these days. the options are outstanding. if you want value added, buy used from one of our reputable frequent sellers in the DVinfo classifieds. i've bought and sold some great, barely used cameras and gear here at excellent discounts. we're awash in an abundance of riches.

i think the current "it" camera as of right now is the HPX500. if i didn't have a RED reservation lined up, i'd be clutching one right now....oh, but then there's that XDCAM EX looming on the horizon. that's a category killer, for sure.

Mike Burgess June 4th, 2007 05:15 AM

Thanks for your response. Didn't think I was really complaining, just wishful thinking out loud. No, I don't need all the manual controls and presets and options of an A1 or a V1u. I am not that patient to try and learn it all nor technically gifted enough to understand it all. Nor would I expect a camcorder manufacturer to produce an A1 or V1u type cam for $2000. What I am wishing for is something between the FX7 and the HV20, feature-wise and size-wise, with the fantastic PQ of the forementioned cams, with an XLR included.

To be honest, never gave a thought about purchasing nearly new, used, equipment. Perhaps it is my reluctance to get anything electronic used. Would make me nervous wondering if anything were wrong with the product and what would happen if there was. But thats' just me.

AS for the $4000 TV, my $1600 new Toshiba 42" plasma does just fine. Haven't gotten far enough in my thought process concerning my computer and editing software, not to mention the player. One thing at a time. Right now I am just concerned with capturing material now in HD, before it is gone, and archiving it for future development.

Mike

Jarrod Whaley June 4th, 2007 08:39 AM

Quote:

Originally Posted by Mike Burgess (Post 691482)
Right now I am just concerned with capturing material now in HD, before it is gone, and archiving it for future development.

In HD before it's gone? It's not even completely here yet.

Then again, with the rate of obsolescence in our field, I wouldn't be surprised if they're making us all buy new TV's, cameras, computers, and optical disc players again in another six months for the arrival of UHD (or something).

Mike Burgess June 4th, 2007 07:21 PM

Quote:

Originally Posted by Jarrod Whaley (Post 691540)
In HD before it's gone? It's not even completely here yet.

Then again, with the rate of obsolescence in our field, I wouldn't be surprised if they're making us all buy new TV's, cameras, computers, and optical disc players again in another six months for the arrival of UHD (or something).


It looks as if I wasn't clear. It is not that I wish to capture material before HD is gone, but rather capture material before the material is gone. Sorry for the confusion.

Mike

Jarrod Whaley June 4th, 2007 07:30 PM

Sorry, Mike. That makes a lot more sense. :)

Jon McGuffin June 4th, 2007 09:18 PM

Quote:

Originally Posted by Dylan Couper (Post 688992)
What makes a camera "the camera" to get.
a rant by Dylan Couper


What some people here fail to understand... and it boggles my mind sometime since it's so obvious... is that if you can't get the shot you need, then it doesn't matter what codec you shoot on. If the picture that comes into your camera isn't what you want because you've picked the wrong camera for the job, then it doesn't matter whether it's a Varicam or an HV20. Cameras are tools built to do certain jobs better than others.
Think of a hammer. Not all hammers are created equal. There are ball peen hammers, framing hammers, roofing hammers, sledgehammers, etc... Ferrari may one day make a roofing hammer. No matter how sweet it is, it's going to make a mess of a job that requires a ball peen hammer.

The same applies with cameras. We like to think they are all good, and that the picture is everything... BUT IT ISN'T! We need to be able to get the shot that we want, and if we can't it doesn't matter how good the picture is.

Let's take wildlife, since it came up. Say you shoot birds. You need a long lens with great image stabilization, as you will be shaky at full telephoto. It doesn't matter if the HVX200 has a codec forged by God, it lacks the long lens of the XLH1 to actually reach out and get that close shot that will make viewers ooh and ahh, and buyers go "wow, I can't believe you got that shot".
This is why the XLH1 is the camera to get for wildlife. It will get the shots that other cameras won't.

Hope this helps reframe your views of what makes a camera the right tool for the job.

It's a good point Dylan but I think you have to realize that 98% of all people in the market for purchasing a camera can't go out and buy a wide aray of camera's suitable for all the various shots they want to take. When most go looking for a camera, the question isn't "I'm shooting X,Y,&Z, can you guys tell me the 3-4 camera's I should get to cover this?"

Typically speaking, people are asking the question "I have $X which camera should I buy" and then it becomes something of a debate as to which camera will fit the job *most* of the time.

But I hear your point and I'll go one more further by saying people take the camera way too seriously and should really be spending more time thinking about their shots, angles, actors, scene's, edit points, etc, etc...

Jon

Dylan Couper June 4th, 2007 09:53 PM

Quote:

Originally Posted by Jon McGuffin (Post 691955)
Typically speaking, people are asking the question "I have $X which camera should I buy" and then it becomes something of a debate as to which camera will fit the job *most* of the time.

Ah, truth is any of these cameras will do the job 90% of the time or more. Everyone spends way too much time worrying about what camera to get. Many of them fall into the trap of "I need this camera to..." The answer is usualy tied in with visions of grandeur and Academy Awards.

Most of the people here (probably including me, no wait... especially me!) would produce exactly the same results with a 10 year old Canon XL1, or an HV20, or a Varicam. We are gear junkies and pixel peepers by gender.

Oh, and the answer to "I have $x, which camera should I buy?" is...
Buy the cheapest camera you can get away with, and spend the rest of the money on stuff that will actually make a difference... like a tripod, mic, lights, filters, etc...

But if one camera had to cover more bases than anything, under $10k? The Canon XLH1 probably offers the most versitility in one camera. It does everything well. Some cameras do some things better, but other things poorly.
Of course the Canon XHA1 does 95% of what the XLH1 but for less than half the price. That kind of makes it "the camera to get" for a lot of people, unless you have one specific need that demands another tool.

From now on, I'm just going to take a girl with me to the camera store and get her to pick out whatever looks the sexiest. ;)

Greg Boston June 4th, 2007 10:39 PM

Quote:

Originally Posted by Dylan Couper (Post 691967)
From now on, I'm just going to take a girl with me to the camera store and get her to pick out whatever looks the sexiest. ;)

So what do you do if she picks out the guy behind the counter? You'll go home alone and without a camera. (hehe)

-gb-

Dylan Couper June 5th, 2007 12:18 AM

Quote:

Originally Posted by Greg Boston (Post 691988)
So what do you do if she picks out the guy behind the counter? You'll go home alone and without a camera. (hehe)

-gb-

On the other hand, it pretty much guarantees me a discount! In fact...
Wait, this might not be a response suitable to the general public... I'll tell ya later.

Chris Soucy June 5th, 2007 01:01 AM

Don't want to be a party pooper........
 
But will someone, anyone, please put a dignified end to this thread............pretty please!

I have seen people arguing about how many angels can dance on the head of a pin, but this really takes the Oscar for a "go nowwhere conversation".

Just my PO, of course.

Cheers,


Chris

Dave Blackhurst June 5th, 2007 11:55 AM

Oh come on, dignity?? Who needs THAT!

On the plus side if you take your girl and she runs off with the guy behind the camera counter, your camera budget just increased <wink>! And don't forget you've eliminated the competition for "edit time"....

Any cam will get a shot in the hands of someone that knows their camera - it may not be perfect, but it's the shooter, NOT the camera - to steal and mangle a cliche - "cameras don't shoot people..." oh never mind...

It's like the Beatles recording on a 4 track - did they "get it right"? Now we have unlimited tracks and mostly unlistenable crap... tell me where the technology "improved" the situation. Technology does NOT = TALENT.

The "camera to get" is the camera you can afford - if it's a second hand, once top of the line cam, now forlorn on Ebay for $100, then so be it, shoot with your heart until everyone including yourself decides you stink at video or you get more budget and more knowledge.

As you get more knowledge, and more budget, keep getting the best you can afford, learn how it works and how to work around any shortcomings (those are ALWAYS going to be present, sorry technology is never PERFECT...)

The "best" camera is the one you are comfortable with and have with you when "the shot" comes at you - it might even be one of those nasty little cell phone cams... but if you GOT THE SHOT, who cares if it isn't perfect? If your fancy "perfect" camera is in the equipment locker when the shot of a lifetime comes along...

Sure, if you have a specific use, and time to plan and research, you can probably optimize the technology to the purpose (hammers people... hammers), but it will never be the same for EVERYONE... and TALENT will beat technology EVERY TIME...

No doubt it's good to discuss what's out there, and it can help one decide where to blow their budget, but "best" is OPINION, cameras are just tools or toys, get what you can afford and enjoy playing/working!

OK, now for the vote... was THAT dignified enough??

DB>)

Jon McGuffin June 6th, 2007 07:15 PM

Excellent Post Dave B...

With all that said......... Just to try and answer with my opinion on the original question asked....

My recomendation for "the" overall best camera for the $$ and "the" one to get would be the Canon XH-A1. At about $3300 for reputable authorized dealers I just don't think there's really anything that this camera can't at least do competently and I think it's a "small" step above others in the price range.

If money were an object though and I had to pick "the" camera to get in the lower price range, I'd go with a Canon HV20. For $1000 you get a solid camera with HDMI output which is an interesting new technology for getting video into the PC.

It's not that I'm a huge Canon fan over the others because I own a Sony and like Panasonic & JVC as well. I just happen to think that right now, for the money spent, those are your best two bets in that mid-tier entry level semi professional world...

Jon

Steve Royer June 10th, 2007 06:40 PM

I'm starting to lose interest in the 24P, or I should say I'm less impressed by HV20's 24P mode... so I'm really curious about which camera in the $1500 price range will handle motion the best. We've all seen the "trails" and "blur" from consumer cameras and I was hoping to find the best one for movement and panning.

thanks.

Ken Hodson June 11th, 2007 05:26 PM

The "best" for movement and panning would be the cam with the highest frame rate. Considering your price point that leaves you with 60i based cams. As far as blurring and trails go, that is strictly a result of shutter speed and nothing to do with "consumer" cam. If you want low motion blur, shoot with a high shutter speed.


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