Tim Kelley |
January 8th, 2009 05:55 PM |
Just to update the status of things...I visited with someone in my area who has (3) 250's in use. The output of my 200 matched his 250 with regard to the lighting situation. It appears to me that,due to the chip setup of this camera and my previous use of the Sony DSR-250, the lighting pickup is much different. My biggest concern is using it in an ENG situation where I don't have the ability to throw a ton of light on the setting for taping. I've shot several pieces since this started and have added more and more light to finally get something that I don't feel I have to tweak in post due to dimness of image. I'm working with the mid-range gain and throwing as much light as I can and kicking down the IRIS using the Zebra. This brings about something that still calls for adjusting as I'm battling those extreme hot spots. My lighting skills aren't the greatest but certainly I'm getting better pickup out of my eye than from the output of what I record both to tape and teh hard drive. There is a severe learning curve here as to what will and won't work.
In relation to the focus, that seemed to creep in when the iris was jam open and I got a general softness in the video.
I've been told to avoid using the focus assist in the DV mode as it really doesn't seem accurate. I'm not ready setup wise to move to HD at this time and hopefully over time I will and things will pickup.
Thanks again for all the updates and responses from everyone.
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