Daniel Patton |
December 15th, 2006 09:36 PM |
Steve, you should get the most flexibility using Paolo's TC3, at least this way you can push the color around in post should your director decide he wants something different later. The View is fairly broadcast looking if I recall correctly, so Paolo's settings should work well.The only thing I might do different is reduce the saturation a notch or two, but only if the talent is wearing anything with a lot of bright red tones, same goes for the set. But that's just my preference.
Good luck with the shoot!
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