Joel Aaron |
February 12th, 2007 08:56 AM |
Quote:
Originally Posted by Phil Bloom
You get a shallower depth of field with the other diffusers.
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Because you can shoot at a faster F-Stop? Seems odd to me that the diffuser would change the DOF if the lens is at the same F-Stop. For my taste I've actually found I prefer the look of F4-5.6 excepting when I'm in tight quarters.
Quote:
Originally Posted by Phil Bloom
How do you find the M2 hard mounted on the M2, not too front heavy? What did you use?
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I use rails and the hard mount is a 55-55 coupler ring. I actually pulled apart the original achromat so it slides inside the Fujinon which saves a couple inches of total length and eliminates some edge blur because the achromat is so close to the Fujinon glass. Then I tape up the zoom, focus and macro. This whole setup finally made the M2 "set it up and forget it" for me.
To eliminate some of the front heavy feel I took off the motorized zoom on the Fujinon. I grip the rig with my right hand by the bottom of the M2. In that position I can rest my elbow on my chest- which is how I shoot a SLR. Much sturdier. I could add a pistol grip but I don't think it's needed.
I haven't test removing the rails and just using the Fuji grip as you could with the Brevis. That should work also... but I kinda like the rails supporting everything.
I'm holding out for a Red camera... but these rigs can put out some very nice pictures. I'd like to try that Brevis for the increased light. That sounds EXCELLENT. I almost hate to ask... but is there any benefit to the M2 with the Brevis out there?
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