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Most of my shooting is live sports, and the biggest problem I have right now with the lengthening evenings is the green glow from the sun and floodlights. I changed my white-balance for the last game I filmed over to 4300K, and even though carefully looking for it, saw no evidence in my footage. Now, saying that, the place I was filming from doesn't have the brightest of floodlights and the sun was behind me, but any mitigation of this issue is great to have.
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Hi James
I had to admit that I came very close to purchasing the HM-700. I have taken the plunge and bought a Panny HPX 300. I have looked at every cam on the market around $10000 Australian for around 2 years now. I have owned and was disappointed in a EX3, studied the HM 700, Panny hvx 200 - 171 etc, waited for NAB '10 and hoping like hell Canon would come up with something spectacular. Why doesn't someone build a: 3 x 1/2 CCD SDHC recording format AVC intra 100 Interchangable lens format HD SDI / HDMI interface Shoulder mount cam If they did, I am sure they would have real success. I am hoping I can learn my new cam inside out to take advantage of it's plus's and minus's. Good luck with yours. Michael |
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