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I don't know how JVC can justify the pricing on the HM100. Seems to me, at that price level, it really should have 1/3" CCDs - and the HM700 really should have 1/2" CCDs, at it's price point.
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The most critical will likely say +12dB or less. I think that the majority will say +18dB is a practical limit. I'm also willing to say that some might even put up with +24dB gain. In viewing the footage on my 37" 720p HDTV set from 5 feet away, I feel that the +18dB is a reasonable image. Maybe +24dB if one is really desperate. This would translate to an ISO of 512 at +18dB and 1024 at +24dB. Bob Diaz |
HMC-40 and Final Cut Pro
Are there any problems with the 24p Native modes (both 1080 & 720) in FCP? I've used AVC-HD before, and it transcodes to ProRes fine, but wasn't sure FCP had compatibility for these native modes.
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I'm looking at this camera to replace my HV30.
I know the low light blows chunks... and I'm no fan of CMOS... but all I'm interested in is having a 3rd stationary camera for a wedding ceremony... that's it. I already have 2 HMC150's... so my curiousity is matching the camera up to them. |
Fan of CMOS
I have an HV 30 and the HMC40.
HMC40 has produced great footage. I believe the HV30 is CMOS too by the way |
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