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Re: gh3... any typical problems?
Why do you say you are shooting blind? You have the nice screen on your GH3 that you can look at without even having to extend it out. I know you can't determine if things are in focus 100%, but it does give you a good idea.
Hmmm... considering everything you say, I don't see any reason to buy the much more expensive Olympus 12mm f/2 anymore... the Panasonic 14mm f/2.5 should do the job. Is there any particular reason you chose the blackbird? A friend with much more experience in video recommended I get a Wondlan Ares. But this Blackbird seems to do the job very, very well! |
Re: gh3... any typical problems?
Yes, I meant flying blind in terms of determining focus, I can clearly see what my frame is but I can't judge critical focus from the distance I"m keeping the steadicam in front of me when I"m flying, especially not with a very fast prime, focus distance would be just a few cm and that you can only maintain if you have your eye on a loupe against the viewfinder. Btw, the gh3 lcd screen is not that great, my 550d has a much higher rez screen, it's ok to focus with a loupe but just ok.
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Re: gh3... any typical problems?
Btw, I wouldn't bother with the ares steadicam, just looking at below photo I"m sure you can't take it seriously.
http://thumbs1.ebaystatic.com/d/l225...R7ykVfkf8w.jpg Better get a glidecam 1000, 2000, a merlin or a blackbird, more expensive but at least the best steadicams in the lower price range, from what I have read the merlin is not so easy to balance so maybe something to take into consideration. |
Re: gh3... any typical problems?
Haha nice pic, definitely convinced me to buy it. But seriously, it works well!
About the Tokina, I really considered it myself, but it's double the price of the Panny 14mm and it's slightly slower, plus you need an adapter, plus it's heavier, plus it's bigger, plus no AF (I also take pics occasionally, when I get bored). I also use AF with the touch AF feature, which I really like on the GH3. |
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If you got $600 or more and feel the need to impress other camera guys, then buy the name brand. You can build a nice looking one for less than $40 and get the same results. True for DIY sliders and jibs. You can make one look just as good. Doesn't have to look like plumbing. LOL Heck, paint a name brand on a DIY and fool everyone. I am not into ever trying to impress anyone with gear or name brands. I have always let my work and the look/sound sell my clients and none have ever complained. I am also talking here about my high end clients. Paint it black and no one even cares. :-) Alex |
Re: gh3... any typical problems?
Peaking is no holy grail either, it can be of help but depending on the situation it's not always 100% accurate, If it's too dark it won't help either. I have focus peaking on my ea50 but don't us it at weddings, I rather use my own eyes to judge focus.
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I don't know man, I've seen DIY steadicams work extremely well. I saw a vid of a guy running down a pretty steep hill with his own DIY rig and it was unbelievably smooth :-/ it's just that I'm horrible at manual labor and generally at building things, so I don't know if this is a valid solution for me...
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Re: gh3... any typical problems?
[QUOTE ..., from what I have read the merlin is not so easy to balance so maybe something to take into consideration.[/QUOTE]
Noa, I forgot to mention that I heard just the opposite about fine tuning the Merlin and the Gllidecams. There is a guy named Dave on YouTube, very well known for having better reeviews than most, and he has personally owned and used the Glidecam and he said he never did get it tuned good after days of trying. He said that other brands were much easier. I have heard this before. So, who knows unless you try them all and then even people can still have different opinions. Alex |
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When you ever get to build one, put a 50mm lens on the gh3 and show me some moves and I will do the same with the blackbird, you"ll understand why the better ones cost more. :) |
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It's the audio meters disappearing that are annoying. Peaking would definitely make this a better camera as well. |
Re: gh3... any typical problems?
no, he did not use a fisheye. he has more experience than assuming that. I have heard good things about the blackbird, too. Watch over 50 youtubes and see how some are really good. And I would not use a 50mm. It's OK, but wider is better. It makes things even more steady and it keeps everything in focus since you can't be fiddling with focus while walking and running around.
We are only talking here about a few bars that hold weights in strategic places to counter act the movement of the camera. It's not rocket science. I saw one guy online that had access to some really nice machine tools and he built a Merlin 2 copy that worked and look perfect. Alex |
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Alex |
Re: gh3... any typical problems?
This Steadicam =
Amazon.com: Steadicam SMOOTHEE-GPROHRO Smoothee with GoPro Mount and Belt Clip: Camera & Photo would be perfect for my Canon EOS-M and it's 22mm f2.0. Alex |
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alex |
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Alex |
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And it has undesirable side effects such as the record button having to be pressed twice if the overlays are off, once it they are on. Panasonic should not be given a pass on these things. |
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I highly suggest you watch over 50 YouTubes and see the proof before making broad assumptions. Peace, Alex |
Re: gh3... any typical problems?
I had a Glidecam for a little while. Finally got it to work on another video camera but was not impressed with the results and the difficulty of operating the camera controls. Eventually I sold it to someone who could use it. In the end I find a good camera shoulder brace and some sort of quality OIS gets me thru my traveling shots. There are some people who get great results with DIY stabilizers and other non Steadicam stabilizers, I am not one of them. Give me a jib (yes I know it's not the same) and I'm having a great time.
Today I covered another dance performance in an outdoor setting where there was no defined stage area. And the improvised performance sort of went on about a half hour longer than I was expecting. Since I knew I was going to an unplanned setting where there was no way to know where the dancers would end up and I didn't want to use the shoulder brace, I brought my monopod. Believe it or not a heavy duty monopod can act as a very low grade stabilizer if you don't extend it. The weight on the bottom acts as a counter weight if your wrist can stand it. It works for me in short stretches but the strain can add up. I eventually extended the monopod so the loupe was at a level that if I had to move the camera I could pick up the monopod and walk gently to a new position without my feet kicking the monopod. Nowhere near any good stabilizer but I had more control over my camera as the sunlight changed or it was time to change the zoom when I settled into a new position. The walking shots were OK not anything to put on my résumé but certainly watchable. And as the performance lasted a full hour instead of thirty minutes, the rest provided by the monopod was appreciated. The focus was provided by the face recognition auto focus. Only a couple of instances where the camera lost focus. The GH3s disappearing LCD info is a mixed blessing. Viewfinder clutter has been a bane of mine for years. It's very hard to compose and ignore the icons and numbers filling the edges of the screen. Years ago I started with tube cameras that only had a record light in the viewfinder. My first digital video camera had the timecode, the audio meters and the record indicator outside the image. I would really appreciate if we could go back to that. Today's filming was one take for 57 minutes and I was happy to work without the info. By the way, if you adjust the zoom on the Lumix 14-140 lens, the info comes back on. The double record hit is a nuisance especially if one works with video cameras on a regular basis. The same behavior occurs if I try to adjust the exposure dial while filming, the first click on the dial brings the screen info back, the second click actually changes the exposure. |
Re: gh3... any typical problems?
William,
I have never used a monopod, but I have considered them lately. I never knew they had some now with three small legs down at the ground. Manfrotto has one that actually stands on it's own when you let go. I also never knew they had a rule, like for shooting at football games on the sidelines, that you can only have a footprint of 18" diameter. Thus, no tripods and these monopods with legs fall just into being legal to use. Alex |
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I am done with this topic on here and trying to talk logically with you about it. It appears that you do not have an open mind. You can have the last word if you want. I won't read it. Alex |
Re: gh3... any typical problems?
After reading Noa's last reply I knew it would come to something like this :) please relax guys, you are both valuable members of this community so let's stop wasting time arguing pointlessly about steadicams! I'm looking more at you here, Noa. You've won me over anyway, I will have to buy a known brand since I don't live in the USA where you can easily find all the required parts to build one yourself, and even then I don't know if I'd actually go that route. I just don't trust myself enough.
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I was looking back thru the thread to refresh my thoughts on the GH3 and I now see I overlooked some things in haste. You make a very good point about focusing in daylight and I should think now about your good suggestion of adding a loupe to the system. I also apologize if I have offended you in any way. I say things at times meaning in general terms and not about any certain people, such as yourself. When I said dog and pony shows, I was thinking back in my career when I had to deal with people in the business who always stretched the work day out very long to do a dog and pony show for a client trying to justify why they charged higher rates. I was not talking about you. I appreciate your help and knowledge. Best regards, Alex |
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Here's a short commercial I made last week which I'm showing you in response to your "focusing in daylight" issue. All the shots you see with the sprinklers, the track and the girl were shot under extreme sun (over 36 degrees Celsius), and most of them were shot at f/2 or wider (I wanted really shallow DoF). Still, I think you will agree I had very good control over focus and all I had was the GH3's screen to help me with that.
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Very nice, Luc
Alex |
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Thanks Alex! You see how bad it is when I tried to run alongside her? The GH3 was on a Manfrotto monopod with those 3 little legs that you can extend, in my head I considered them to be weights! Of course, the end result was extremely poor, and all the running footage had to be warp stabilized.
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Re: gh3... any typical problems?
Panny chose the OLED. Maybe it's not fit for purpose. Other things are left on and will burn in so it's arbitrary. I think it's a marketing excuse for a product defect that people are swallowing. Even so, it's my screen and if I want to risk a burn in, I should have the option. It's a non-issue for a lightly used camera anyway.
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Duane, I thought about it. Well, I thought about getting on a bicycle and getting someone to pull it along the track, but this whole thing had to be done on very short notice. I don't have a bicycle mount, should look into getting one though.
The slider is a Konova K3 60cm. |
Re: gh3... any typical problems?
It looks smooth. Almost bought one and then found a used Kessler. Love it but not sure it looks any smoother than yours.
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The Konova is not as smooth as you think. I did about 3 takes of each sliding shot to make sure I got a good looking one. A lot of the time I feel little imperfections causing small bumps and slowing down movement as I push it along. I'm not very happy with it, but it does get the job done eventually.
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