Perrone Ford |
May 7th, 2010 09:20 PM |
Nice to see I am not the only one! The shoot I am on now, I signed on just to "advise" a first time filmmaker. His videographer backed out last minute, and either I was going to operate (which I friggin hate) or the movie was dead. I asked all the usual questions. Got back the usual answers. There is 1 professional actor out of a cast of nearly 40. I asked about lights, I was told that one of the crew had "floodlights". I expected the worst on Day 1, and was still disappointed. As for sound, there was none, so I supplied the mic. There was no boom the first weekend. I had to sort that out too. The shoot I worked on last fall was quite a bit better as there was a professional sound guy, and I just mostly DPed. That shoot was a 5D, this one I am using the EX1.
Charles, I did camera tests on the EX1 to relate it to my meter. Essentially the equivalent of film tests to test the responses. I usually only shoot 1080/24p 180 angle -3 gain, so it's very very consistent. Occasionally I will shoot 720/60p for slo-mo so I worked that out too. I spent some time with the 5D working out some things that did ok for me. I shot that like I would a film camera with 2 stocks. ISO 320 indoors, ISO 100 outdoors. Usually F2.8 since the focus puller was working blind with only marks to rely on.
It's nice to see you guys doing work down in the trenches. I learn so much from you and these discussions.
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