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Search: Posts Made By: Joshua Provost
Forum: Techniques for Independent Production December 22nd, 2005, 02:27 PM
Replies: 9
Views: 3,597
Posted By Joshua Provost
Interesting approach. There are definitely ways...

Interesting approach. There are definitely ways to create depth in a scene, without having shallow depth of field. Especially arranging layers of space, and pools of lights.
Forum: The View: Video Display Hardware and Software December 22nd, 2005, 09:45 AM
Replies: 8
Views: 5,788
Posted By Joshua Provost
Edward, As noted, it's not ideal. However,...

Edward,

As noted, it's not ideal. However, there are plenty of us using LCD TV's and other TV's as monitors. It's not the best, but it's better (when calibrated) than trying to judge who footage...
Forum: Still Crazy December 22nd, 2005, 09:43 AM
Replies: 8
Views: 3,262
Posted By Joshua Provost
All of the stage lights are tungsten-based, so...

All of the stage lights are tungsten-based, so they require the tungsten white balance, even if they have colored gels on them. Your process is correct. 3200k-3400k seems like exactly what I would...
Forum: Photon Management December 22nd, 2005, 09:40 AM
Replies: 14
Views: 3,150
Posted By Joshua Provost
Greg, If you are trying to find out what the...

Greg,

If you are trying to find out what the ASA for your camera is. Light a gray card, allow the camera to auto-expose the card to 50IRE, and note the F-stop it is using. Then take a reading on...
Forum: Techniques for Independent Production December 21st, 2005, 10:33 PM
Replies: 9
Views: 2,241
Posted By Joshua Provost
Sometimes the right idea, right time, and right...

Sometimes the right idea, right time, and right person just converge. Some of my favorite films are from first-time filmmakers, or the first films of filmmakers who later became successful. ...
Forum: Open DV Discussion December 20th, 2005, 10:37 AM
Replies: 3
Views: 2,312
Posted By Joshua Provost
Michael, I make short films. I shoot on...

Michael,

I make short films. I shoot on miniDV (4:1:1), capture, deartifact the footage to 4:4:4, and save that as uncompressed AVI. I do all color correction and editing in uncompressed. My...
Forum: Sony HVR-Z1 / HDR-FX1 December 19th, 2005, 03:51 PM
Replies: 14
Views: 3,125
Posted By Joshua Provost
John, most of the stuff on my digital cable looks...

John, most of the stuff on my digital cable looks horrible due to the massive compression used. Doesn't matter if it's film originated or SD DV. If you're sensitive to compression artifacts, like I...
Forum: Distribution Center December 19th, 2005, 03:48 PM
Replies: 10
Views: 3,364
Posted By Joshua Provost
Steve, I totally agree with you. I have...

Steve,

I totally agree with you. I have made films in nearly every aspect ratio (4:3, 16:9, 1.85:1, 2:1, 2.35:1), and each time it was an asthetic choice based on the story. I wouldn't want...
Forum: Distribution Center December 19th, 2005, 01:26 PM
Replies: 10
Views: 3,364
Posted By Joshua Provost
Carl, Not really. If you want, you can make...

Carl,

Not really. If you want, you can make a 16:9 and a 4:3 version, and put them on the same disc as separate programs. You would need a menu to allow the user to select which version they...
Forum: Techniques for Independent Production December 19th, 2005, 01:21 PM
Replies: 4
Views: 2,360
Posted By Joshua Provost
Dominic, The ratio is Y:Cb:Cr or Y:U:V. ...

Dominic,

The ratio is Y:Cb:Cr or Y:U:V. Really has nothing to do with scanlines. 4:2:0 is a special case. See the Wikipedia article (http://en.wikipedia.org/wiki/Chroma_subsampling) and Adam...
Forum: Techniques for Independent Production December 18th, 2005, 03:15 PM
Replies: 4
Views: 2,360
Posted By Joshua Provost
Dominic, 4:2:0 does not imply that there...

Dominic,

4:2:0 does not imply that there are scanlines with no chroma samples. Each chroma sample relates to a 2x2 block of luma samples.

Regardless, a straight downconvert would look...
Forum: Photon Management December 16th, 2005, 08:35 PM
Replies: 8
Views: 3,349
Posted By Joshua Provost
You could certainly try. However, I think a pair...

You could certainly try. However, I think a pair of these are usually 1k. On film shoots they are usually shooting 10k or 20k through windows to simulate sunlight. 1k might not be a dramatic...
Forum: Adobe Creative Suite December 16th, 2005, 12:16 AM
Replies: 2,100
Views: 419,214
Posted By Joshua Provost
Christopher, Nice test. I'm a long-time...

Christopher,

Nice test. I'm a long-time (long, long-time) Premiere user. It just bugs me that you have to reverse engineer the scopes to figure out what's going on. And I've seen video with...
Forum: Adobe Creative Suite December 15th, 2005, 03:50 PM
Replies: 2,100
Views: 419,214
Posted By Joshua Provost
Rick, How did you shoot your 24p? On which...

Rick,

How did you shoot your 24p? On which camera, in which mode?

If you shot in 24p Standard, which is a 60i stream with 2:3 pulldown inline, then you can just edit that and your 60i on a 60i...
Forum: Show Your Work December 15th, 2005, 03:30 PM
Replies: 37
Views: 7,019
Posted By Joshua Provost
Marlon, I look forward to your next film. ...

Marlon,

I look forward to your next film. You've got some solid skills. BTW, I liked you actors as well, they had a lot of character.

Josh
Forum: Adobe Creative Suite December 15th, 2005, 10:13 AM
Replies: 2,100
Views: 419,214
Posted By Joshua Provost
Christopher, Please see this thread...

Christopher,

Please see this thread (http://www.dvinfo.net/conf/showthread.php?t=45073&highlight=premiere+pro+IRE) and this article...
Forum: Alternative Imaging Methods December 15th, 2005, 09:44 AM
Replies: 10
Views: 1,848
Posted By Joshua Provost
They are rare, but here is one...

They are rare, but here is one (http://www.colescameras.com/canon.htm). Of course, then you have a T-mount to deal with, and additional adaptors to get that on normal filter threads, or otherwise...
Forum: Alternative Imaging Methods December 15th, 2005, 09:42 AM
Replies: 14
Views: 2,410
Posted By Joshua Provost
It's just funny to me, because talking with film...

It's just funny to me, because talking with film cinematographers, getting deeper depth of field is often a concern. Using higher speed stocks, so they can stop down. Using more light, so they can...
Forum: Alternative Imaging Methods December 15th, 2005, 09:35 AM
Replies: 10
Views: 1,848
Posted By Joshua Provost
Wayne, That T-mount (and most T-mounts) is...

Wayne,

That T-mount (and most T-mounts) is the wrong way around. Most T-mount adaptors are for connecting T-mount lenses to other camera system bodies. What he needs is a "reverse T-mount,"...
Forum: Adobe Creative Suite December 15th, 2005, 09:31 AM
Replies: 2,100
Views: 419,214
Posted By Joshua Provost
Ben, The Y/C Waveform would be the one to...

Ben,

The Y/C Waveform would be the one to check. However, this would hardly be conclusive. You could have legal black and white levels, but have a low overall gamma, and the footage would...
Forum: Alternative Imaging Methods December 14th, 2005, 07:25 PM
Replies: 14
Views: 2,410
Posted By Joshua Provost
Oh, boy, we have really hit a turning point,...

Oh, boy, we have really hit a turning point, haven't we? Now we've got working 35mm adaptors, and people are trying to figure out how to get deeper depth of field. Interesting turn of events.
Forum: Taking Care of Business December 14th, 2005, 01:55 PM
Replies: 163
Views: 35,385
Posted By Joshua Provost
Copyright rules for festivals are the same as...

Copyright rules for festivals are the same as copyright rules for broadcast, distribution, anything else. Copyright is copyright. You'll need permission for many of these things. That only...
Forum: Show Your Work December 14th, 2005, 10:54 AM
Replies: 37
Views: 7,019
Posted By Joshua Provost
If they encourage it, then they are granting...

If they encourage it, then they are granting permission. You can't use Lucasfilm encouraging people to make Star Wars fan films as an excuse to use music without a license or permission.

As I...
Forum: Show Your Work December 13th, 2005, 01:55 PM
Replies: 37
Views: 7,019
Posted By Joshua Provost
Marlon, I liked the film a lot. I liked the...

Marlon,

I liked the film a lot. I liked the characters, your camera direction, and lighting. I'd say in general it was overly long, just really slow paced. Like most of the film was in slow...
Forum: Digital Video Industry News December 12th, 2005, 04:09 PM
Replies: 22
Views: 4,939
Posted By Joshua Provost
The writer must be confusing the still and video...

The writer must be confusing the still and video markets. I can't believe the above statement is true for video cameras. It could only be true if you're looking at all video and still cameras. ...
Showing results 151 to 175 of 489

 


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