-There were 7 cameras (2 steadicams, 1 jib, 4 on sticks). 6 350s, one 330.

-Gain was at 0 (as you can see, there were a lot of lighting instruments and levels weren't much of an issue). I don't think there was a single traditional par can there.

-Every cam was on Cine 3. Indeed, every cam was cloned via memory stick.

I imagine we were at a 2-2.8 most of the night, but I really don't know.

Nate have you ever used -3 db gain in a concert setting?