Well, I've worked with the Sony 350 XDcam and 330 XDcam and the HVX.....I know which I think looks better......and it's really not that close to my eyes, even with the cheap lens on the 330. Obviously the XDcam EX is not the 350 or 330 (The EX actually has a HIGHER resolution native chip) but maybe the lens isn't as good, I'm not sure about that since I haven't seen one. There's also the fact that the the XDcam has bigger chips. But if Panasonics contention is correct, this should surely be made up by the fact that XDcam is using the 'inferior' Long GOP 4:2:0 right? I guess after all is said and done, I'm going to believe my eyes......and my eyes say that the higher NATIVE resolution chips look better than the pixel shifted ones. So what is the reason for that? I can't say for certain (although I will continue to hold my belief that lower resolution pixel shifted chips don't look as good as HIGHER resolution pixel shifted chips).... But I can say which one looks better to me, and it's really not even a contest in that department.

Dude I hear you. When I said it doesn't matter I meant that to those who like the softer look it isn't as big of a deal. Some people like crisp video while some like softer video. I don't like the HVX200 but it is still a nice camera and for every person who thinks it is a SD toy there is another person who will swear by the quality and use it for a film out project with great success and make a lot of money from it.

These are all just tools and sure they all have different looks to them. It is all about the look you like and thats it.

None of these cameras... the Panasonic HVX200, the Sony PDW-F330 or F350... none of them have "native" resolution chips. The HVX200 employs Pixel Shift in both H and V axes. The Sony XDCAM cameras use Horizontal-axis Pixel Shift, just like all Sony HDCAM cameras and nearly every other three-chip camcorder system ever made.

Chris,

I realize the Sony PDW-F330 and F350 don't have "native" 1920x1080 resolution chips, and that they too use some pixel shift,.....what I AM saying, is that they have higher "native" resolution than the HVX.....they are "Pixel shifted" from 1440x1080 to 1920x1080. The HVX on the other hand is "Pixel shifted" from a MUCH lower 'native resolution' to achieve the 1920x1080 pixels. So yes, you are right, neither one is "native 1920x1080" but the PDW F-330 and F350 are a HECK of a lot closer than the HVX.....And the fact also remains that the EX does look like it WILL have native 1920x1080 chips. I am saying that I can see the difference in the 1080 video from the 330 and 350 and the HVX.....and my belief is because the 330 and 350 have a 'higher resolution chip'.....but some claim it isn't higher resolution (because of the pixel shifting of the HVX it too puts out 1920x1080) so I was saying higher NATIVE resolution, and possibly using the term 'native' in error. What I meant to say, was it had more real pixels, or less pixel shifting.....sheesh, now I don't even know if I said that right, but hopefully someone understands what I am trying to say and can clarify.

It depends on how the chip is designed. Have you read Juan Martinez' article in TVB about CCD compared to CMOS? He talks about what Sony has done to improve the sensitivity of the CMOS chips in the EX1.

I suspect the EX1 will have both greater resolution and better low light sensitivity (probably taking into account noise too) than the HVX200 under matching conditions. In short, it is possible for a chip with smaller pixels at 1920x1080 to have comparable or better sensitivity than a pixel shifted 960x540 chip and we may soon be able to verify that.

Since when has HDCAM been non native resolution???

The F900 uses 1920x1080 chips the last time I checked and I composited footage from the F900. It was the tape format that used 1440x1080 not the chips.

The Varicam also used native chips of 1280x720 pixels. Again it was the tape format that used 960x720 pixels not the chips themselves.

Sure XDCAMHD uses pixel shift but the chips already have 1440x1080 pixels so they already have the native resolution of the recording format and they only need to get pushed a little bit further to get to 1920x1080 for SDI output. So when you are talkign about recording to disc the pixel shift is only being used for enhancing the detail not creating new detail.

I think that a bigger advantage of the EX1 is the 1/2" chips. That and native 1920x1080 chips and a real lens are the reason that I placed my order.

We can argue specs all we want, but what I care about is how does the camera feel in my hand when I am shooting and does it allow me to do my job the best I can.

Daniel Weber

Totally agree and also rate issues like reliability and work flow as far more important than native pixel count. Picture wise, low-light ability is more useful to me than being able to resolve flea's whiskers.

Good SD looks fine on massive screens, it is only when you salivate over side-by-side comparisons that all of a sudden people start calling fantastic cameras useless.

Resolution isn't really that important to a layman once you get beyond a certain level (which all of these cameras surpass). Therefore, I can see Panasonic's reasoning in using pixel shift.

However, if the EX1 can still excel in other areas such as low-light and latitude without pixel-shift, then I have no opposition to the extra resolution.

I also think that the more efficient "long GOP" codec of the EX1 is a big advantage and makes a solid state workflow 3 times more attractive. A 16GB SxS card in an EX will store as much footage as a 48GB P2 card in an HVX

Sorry for misreading you, Gabe... I'm not sure there's really any proper way to use the term "native" in this case since we'd have to know native to what, exactly. I regret the misunderstanding.

Thanks for pointing that out -- there are so many variables involved in this equation other than Pixel Shift so I don't think anybody can point to spatial offset (or any other kind of resolution booster) and single it out for better or for worse. My only point all along is that it's there for a reason and it works.

As do the HDW790 and HDW730... apparently the "since when" goes back to the HDW700. I appreciate the correction.

As do the chips in the Canon XL and XH lines; my point is that regardless of the number of pixels on the chip, they're still using H-axis Pixel Shift and it's there for a reason.

Fully agreed, and I apologize for the lengthy departure into spatial offset.

Looking at the results of the Texas HD shootout, it seemed to me those present felt the GOP-based cameras worked fine for handling motion when viewing video as video, and that you could only really tell a difference when pausing on still frames. And even there I can say from personal experience that if you use a high shutter speed on an HDV camera you can get clear still frames of action events like a tennis match, which is where I tested this. Since the EX1 should handle motion at least a little better than HDV it ought to be fine for most action/sports purposes, with images that look great when viewed as video.

Regarding pixel shifting, I've yet to hear of any video camera which yields greater perceivable resolution (in TVl/ph) than the number of physical pixels on its sensor. That showed in the Texas HD shootout, so I'm not sure why Chris seems to think pixel shifting works. It's just hardware-based upscaling as far as I can tell.

Well I'm not the only one who seems to think pixel shifting works. Apparently the engineering and design teams of nearly every major CCD manufacturer on the planet seem to think so too. Look, if spatial offset didn't work, then it wouldn't be such an integral part of almost every three-chip camera system ever made. Like I said -- it's there for a reason.

It does bring benefits, it does work, no doubt.

BUT I'm concerned that a belief has unfortunately arisen among some that it is a magic bullet - "pixel shift will cure everything". And that is not true. The best write up on the subject I've seen is from Panasonic - ftp://ftp.panasonic.com/pub/Panasoni...200.CCD-WP.pdf - who claim that it will enhance native luminance resolutions by 1.5x. Though they do admit this to be a best case scenario, and more independent studies generally talk of 1.2-1.3x to maintain a decent mtf.

They claim an "effective" resolution for the HVX of up to 1440x810 (though admit that to be a best case scenario) - I'd reckon around 1200x675 to be nearer the mark, though it depends at what mtf measurement you call it a day.

Consequently, pixel shift does work - it does give an improvement over the results if it wasn't used - but let's all be realistic. Even Panasonic don't claim it will achieve anything like 1920x1080 from the HVX chipset.

No, no, no. I certainly hope I'm not giving that kind of impression. My long-standing annoyance has only been with those who have argued out of ignorance that Pixel Shift and the spatial offset process is some kind of gimmick, or worse, some sort of "marketing trick." It's neither. It's real, it works and it's there for a reason... but the technology is well over a decade old, and there are newer and perhaps better ways to boost resolution, as we've seen from Sony's ClearVid interpolation process.

I think we're eventually going to see an increasing rate of change to single-chip designs in the pro video market (as already clearly evident within the realm of Ultra-High Definition digital cinema acquisition systems, and as already happened long ago with digital still photography), so why should it even matter anymore.

Well, looking at the AG-HPX500, it sure seems to be working well.
I think part of this problem is a lot if us (including myself at time. LOL),
are comparing the "higher" native cams against the HVX200.

My understanding (and from some stuff I've seen) the HPX500 sure looks like its capable of producing some detailed clean images.

But the results of the Texas shootout showed that pixel shifting doesn't succeed at increasing the useful resolution of a camera, so what's the practical benefit to users compared to capturing at the native sensor resolution and upscaling later?

The other practical benefits are increased sensitivity (as previously explained) plus a lower manufacturing cost per CCD (which leads to greater availability and a less expensive camera). Resolution isn't everything... a fundamental concept to grasp.

Of course not, but you haven't said how pixel shifting in the camera is beneficial compared to upscaling sensor data in post. I won't say more about this because you obviously feel strongly about it, but it sure seems like pixel shifting is mainly useful for marketing purposes.

Why do it in post when it can be done in the camera.

If spatial offset technology was "mainly useful for marketing purposes," then Panasonic would simply have announced the HVX200 as using double axis Pixel Shift right from the very beginning instead of keeping it a secret for so long. If it's there just "for marketing" then why don't Canon and Sony make a bigger marketing splash with it and inform more customers that H-axis Pixel Shift is used in the entire Sony XDCAM HD line and XL and XH series Canon camcorders? Why is it hardly ever mentioned by Sony, despite having used spatial offset for years in their full range of DVCAM and HDV camcorders?

JVC has been the only company I'm aware recently to make a point of mentioning spatial offset in their Everio camcorder product marketing (Panasonic doesn't count; they had to be prodded into disclosing their HVX200 specs).

The notion that Pixel Shift is mainly useful for "marketing purposes" is totally absurd, considering how seldom it's ever referred to in product marketing material. Prior to JVC, the only time I've ever seen it "marketed" was for the original Canon XL1 back in 1997 (despite the fact that all three-chip Canon camcorders to follow have used it in one form or another).

What I feel strongly about is the ludicrous notion that an integral component of three-chip camera design is there "just for marketing." I can hear engineers groaning over that nonsense all the way from Japan.

The diagram in the Panasonic paper gives a good description - though it's important to realise that the process works less well if the image is saturated in colour. Fundamentally, it enhances luminance resolution only - but since colour is normally subsampled, this shouldn't matter.

It relies on the green pixels being spatially offset from red and blue, simple upscaling assumes r,g,b to represent the same point.
Hmmm, well, here we're back to the "magic bullet" statements, aren't we? I won't disagree that it's benefits have been overstated in the past, whether by ignorance or design I wouldn't like to speculate. But that is not the same as saying it is of no use at all. (Chris - you weren't in my mind when I made the "magic bullet" comment.)

Returning to the Panasonic link, it's also worth noting one reason WHY they give for using pixel shift.
Well - the answers simple when you know it, isn't it? Just use 1/2" sensors!!! The trick is then building the lens and camera small enough!

It's mentioned all the time in the form of the advertised recording resolutions of the cameras. 'Nuff said before I get censored.

No it ain't.

The recording resolution is quite often a different thing from the resolution of the image sensor, which may or may not involve Pixel Shift (case in point: the VariCam and DVCPRO HD, see Thomas Smet above). I don't see how you can possibly draw a connection there. The recording resolutions are tied to the format and they are what they are. As I said, spatial offset is seldom mentioned.

It's an obvious connection to me: would anyone have pre-ordered the HVX200 if it was marketed as a "540p" video camera? But enough of this: let's enjoy the fact that the EX1 has both a sensor and recording format with full 1080p resolution. That's a good thing which will matter to some users.

Pixel shift Smixel shift. The real question was how the EX-1 is going to handle fast moving action! Can't wait to get some real world reviews on this issue as now it is all speculation.

Man, I wish we all lived closer to get together and have a few beers. I bet we'd all start agreeing more. LOL

Sometimes it real hard to get your thoughts across via the internet.
I can easily see both sides on this one.

I'll tell you what. if it manitains the clarity I'm seeing in the frame grabs posted this morning, it's going to turn a lot of heads.

But could we all agree on what type of beer to buy? Thats the real question here. Does one camera taste great while the other may be less filling?

Probably not, but assuming we could all manage to get together, I'll gladly provide a round of Shiner Bock for everybody.

Sounds good to me!

http://www.shiner.com/beers/images/Bock.gif

I love these discussions. Look. I've used the XHA1 quite awhile. I've used the HD110, hv10, blah blah blah...

The XHa1 produced some amazing footage. I loved the imagery. I just got the HVX a few weeks ago and I can tell you that I prefer the HVX HD over the canon.

And when the EX comes out, I'll have one. But I don't expect it to be vastly superior to the HVX or Canon for that matter. I said it before, the HVX is the best video tool out there because it does everything. It doesn't do it all better, but it does everything. The EX1 will do some things better, but it doesn't do everything.

I, like many other Canon users were trying to set our cameras up to "look like HVX" footage in the area of color.

I'm excited about the EX1 but I expect it will do that one thing slightly better. And that's resolution. But I'm more than pleased with the final output of the HVX.

Okay, everybody drink two beers and then vote: is the EX1 camera body uglier than the HVX200 or about the same? :-)

Thanks to everyone for a friendly and amiable way to conclude a hot thread.