Matt Davis |
July 18th, 2010 03:38 AM |
If your end video is going to be shown in a 4:2:2 environment, shooting at 1080p and downscaling to 720p will, in theory, get you better colour resolution as you'd have been shooting at 4:2:0 but by shrinking those big blocky colour pixels, you're getting close-as-makes-little-difference to 4:2:2.
Having said that, by using a chromakeyer that also uses luminance info to get a better key (in my case, DVmatte Pro), I'm happy with the results from 720p - which has less pixels but the same bandwidth and in my experience has less issues with fast motion. It's also much quicker to work with.
As an example, here's a quick 'mood board' for a recent job that (from about halfway through) demonstrates fairly quick and dirty (no light wrap, no proper colour correction) keys from 720p footage:
(I wouldn't subject you to the full 15 minute version!). Another 'Quick & Dirty' (two days in post) 100% chromakey job - all 720p: YouTube - West Midlands People & Leadership Team
I did do a project way back that was all 1080p, and quite frankly, once it got to delivery, I preferred the 720p results, and have pretty much stuck with 720p ever since. But I think DVmatte Pro has made a huge difference due to its use of luminance info to make the key: dvGarage - dvMatte Pro
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