[QUOTE=Yang Wen;862646]The thing with seminars is that when it comes to high-end wedding videography, you need to work with a "crew", meaning multiple people representing a studio and this group has to know each other well and be familiar with each others' shooting habits/styles.
QUOTE] Some of our best shoots have come when shot by either myself or Michael by ourself, so I don't think you need a whole studio to produce top notch work. When you get into things like SDEs, then you certainly benefit much more from additional people. For me, the idea behind showing advanced shooting techniques such as glidecam/steadicam/35mm adapters is less about the tool and what it does and more about opening your mind to see things in a completely new way. That vision persists even without the equipment. By the very nature of how the mind works, we have a tendency to see patterns and the world around us in a very structured and predictable way- the challenge is to find a way to shake that up and see things completely differently. Patrick |
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[QUOTE=Yang Wen;863937]Sure, ultimately, it is just one person behind each camera. What I'm saying is that person HAS TO work with others to create a compelling video, especially when capturing a real-time event like a wedding. In other words, a single person can't just fly around all day by himself and create a DVD of well executed glidecam shots and call it a video. He has to juxtaposition his video from the glidecam with complimentary style video shot by someone else, ie, close-ups, details, etc...
I have to disagree. It is hard to do, but it's doable. Just look at the last highlights from still-motion on their blog. Tony did an awesome job shooting with 3 cams by himself. Was it hard? I bet you. On the other hand, yes, it is so much better and it is HUGE difference when you have a team of 2-3 shooters. And if they know each-other well and work smoothly together, you will get amazing results. I think the idea behind such a workshop is to see how it all works together, how you can make it original and different from what's out there and to get energized, pumped to go and step it up. All it takes is for one person to be there and then he can pass it on to his colleagues at the studio. You don't need the whole team at the seminar. And, as you already said, it would be expensive. |
As an intermediate user, I find DVD4 to be the most appealing. I would buy it in a heartbeat. Anything from still-motion would merit at least $150 off the bat.
The walkthrough of one of your weddings would be a great educational resource. From it alone, the other topics you listed would be covered at least in passing (sde production, and the tools you use of course). I'm not a big fan of how-to instructionals hence the preference for DVD4. I believe it's more important to understand why an artist does what he does rather than how he does it. How will teach you one trick in the bag, Why will open a whole plethora of possibilities. But people who don't get it will merely clamor for the how. as an aside: That's my struggle as a person who does workshops and seminars - balancing the how (concrete things an attendee might pick up) with the why (inspiring and widening horizons). |
35MM Adapter Macro Tricks
"can't delete double posting."
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hi patrick,
I'm very interessted in your "training series", especially in DVD2 and DVD4. because I'm from Austria (Europe) it would be great if there is a download option too. ordering and importing products from the U.S. to Europe causes a lot of shipping costs and customs fees in relation to the productprice. even the euro does quite well against the dollar right now. I don't know if such a model is actually possible but it would be a great help and maybe allows me to purchase one more disc instead of paying additional duty fees ;-) |
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Being a huge fan of your work, I'd have to agree with Ryan and say I'll take one of everything. I think there's definitely a market for all your ideas.
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