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i've read about the issues with authoring BD. it has to do with java and basically learning how to code java in order to author the BD disc. if you do not want to code, someone (like the vegas programming team) must create templates of codes so that we can achieve certain fx.
this means vegas9 might have BD authoring capability? |
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At NAB I spoke with a Sonic representative. They were showing the pro version, which cost $5k. Their consumer version (not at the show) cost $500, and was similar to consumer DVD authoring packages (basic menus only.) Considering that there are still no BD-J titles available, I don't know that the $5k Sonic package includes BD-J. It might be that you author Java in a separate tool, such as J-Builder or Intelli-J, and the Sonic tool lets you integrate the Java code. However, I believe that you can author basic animations and such without Java, but you need Java to implement interactivity over the Internet. Anyway, I believe that there are these levels of authoring: 0) Burn only (like in V8, apparently) 1) Menus only (consumer grade) 2) Menus and animations (pro grade) 3) Menus, animations and Internet-enabled interactivity (advanced, with BD-J) |
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There are many significant upgrades in Vegas8 from the Trimmer and Titler to under the hood/less visible changes. For instance, seeing a frame marker on every event is very useful/helpful, but certainly not a bullet point feature. |
Perhaps the different "look" is from the changes mentioned by Sony:
"New in Vegas Pro 8 software are some radical advancements for customizing the layout and positioning of the traditional Vegas layout. The timeline can now be at the top or the bottom of the application. Docking window tabs can be at the top of bottom of the dock." |
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My bigger wish (since Vegas4) is an overwrite mode and a track lock button. Two very basic features. In the Sony forum, very few people asking for this and after seeing the V8 screenshots, I have no illusion: V8 don’t seem to have those features (so paradoxical for a product with “PRO” in his name…) As a beta tester, please can you tell me if you know some editor using Vegas as a cutter (on long documentary project)? How are they dealing with this lack? TIA Gilles |
If I understand you correctly, there is a lock button in tools, and to replace an event with another one, there is "replace" in project media, or to overwrite an event by another event at the timeline level there is the "Takes" feature. But maybe you have something else in mind since you say that you have been asking for this for a long time.
I am using Vegas to edit a feature film. |
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Edit -> Switches -> Lock To replace media: Right-click a file in the Project Media window, and choose Replace from the shortcut menu. You can also use takes as Paul Fierlinger suggested. |
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Absolutely; I negelected to mention that he can customize the toolbar. I meant the "default" layout. Regardless, I find it a non-issue. People seem to constantly point to things that Vegas is supposedly missing because they just do not realize that those things are there (and the Online Help and manual are quite thorough so I don't really understand why).
So, Gilles: Options -> Customize Toolbar -> Select "Lock Event" on the left (under Available Toolbar Buttons) -> Click Add -> Click Close. |
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Spot, would you mind explaining what exactly this overwrite mode does?
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Overwrite is an antiquated method of doing an insert edit, or placing a new video clip in the middle of an existing clip. So, you've got a primary video clip playing, and want to insert B-roll. In the old days, you'd do an insert or "overwrite" that would replace media in the primary video for the duration of the desired overwrite length. If you only had say...two video tracks and wanted to use one for titles and the over one for video, then an overwrite is necessary.
Basicly, it's merely a means of replacing sequential frames in an existing video event with new sequential frames. Putting new media on a new track is much easier, and how even Avid recommends working in their Xpress and Media Composer tools. |
No wonder I didn't know what it means; I avoid by all means available inserting a scene into an ongoing event. Sometimes there is a call for it but it's rare for me to allow myself one of those inserts. There has to always be a new place to go to instead of back to the previous one.
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Thx for your suggestion Paul & John, but :
-about Overwrite mode: Here one of my old thread in the Sony Forum. -about track lock button: I know the event lock switch feature. I want a Track lock feature (very more handy on long project). Quote:
After seeing your answer my conclusion is: there is very few real professional editor using Vegas (I’m talking about professional working on long project with many cut). I really love Vegas, but it is time for me to look on another NLE. |
So, if I follow your logic, because 1) you're a "professional French editor" and 2) you don't want to add an overwrite script icon or add a track, you're going to switch to a totally new NLE?
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I’m the guy who wrote the Overwrite Script, so this icon is already in my toolbar ;) Unfortunately, this is not handy as a real overwrite mode. When I say “I really love Vegas”, this means: I made lot of French tutorials, I’m a French forum moderator and I made lot of free scripts (multicam, photo montage etc…) But no matter how I love Vegas, this NLE have incomprehensible lacks (I don’t want to explain it again. If you are a professional you should know why). I will continue to use Vegas, but for long project with hard cut editing I will certainly look to another NLE with very solid editing features and AFF export to make project completion in Vegas (color correcting, compositing, titling etc…) To DSE: Do you remember who wrote: I'd rather see an overwrite mode than see 10 bit ? ;))) Now, Vegas have 32-Bit Floating Point Video Processing, but no OM. |
The term professionalism is quickly changing in these Internet times, and I for one, am glad for this to be happening.
The days when the only filmmaker worthy of the title Professional was the one associated with the big, commercially important studio loaded with huge staffs, monstrous equipment warehouses and disgusting, man-eating bosses. People who mentally tie themselves to this fading picture are depriving themselves of the future, where the best works will be coming out of the living rooms and basement offices of the new professionals. To make my point, here is a link to what I am working on right now. It is just a bunch of clips ready to be picked up by a website designer to create a website dedicated to our movie. There are clips from behind the scenes and there are clips from the actual film and there are too many stills and word .docs of bios which you will perhaps want to skip. Just look at the video clips, if you are interested in the point I am making in this post. www.paulfierlinger.com/TulipWeb/ |
Someone claims to have already gotten a beta on Youtube (No, I'm not talking to the guys at VASST... but it is in the related videos for the VASST multi-cam sample video)
That video is honestly a lack of professionalism in the form of it's delivery. The keyframing's good, but other than that... |
Jack, that video is likely from Sony Vegas Movie Studio 8. If not....it's terrible.
The ProTitler application would have been much smoother, and had better letter reveal. With the Protitler, a character, word, or line can be revealed at whatever pace you wish for. |
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What does the "32 bit floating point processing" actually mean? Will it make a visible difference if I"m still working in SD miniDV? "Real time Audio FX" --- does this apply to events now, that is, will I no longer have to render a new file to apply an audio effect to a single event? Anyone know cost to upgrade from VEgas 6? |
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http://www.dvinfo.net/conf/showthread.php?t=102508 |
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[QUOTE=Josh Bass;739330]Quesions:
What does the "32 bit floating point processing" actually mean? Will it make a visible difference if I"m still working in SD miniDV? Quote:
Thomas |
if you're not working in DV, it'll make a big difference in your picture quality (for the better, generally) and for compositing, color correction, and other spatial processes, it'll make for better end results in most cases.
That's about all you need to know. |
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Max resolution still limited to 2048x2048?
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http://www.sonycreativesoftware.com/...t&keycode=3504
Nice article giving some info on the new ProType Titling feature |
One of the reasons I've kept Premiere Pro up to date is the titler. This will make that more of an issue...
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This is the most popular cinema projector out there right now http://www.christiedigital.com/AMEN/...stieCP2000.htm It happens to be what my local bug house uses. Max res is # 1920 x 1080 @ 24P or 24psf (ie. MPEG-2, MXF-Interop format) # 2048 x 1080 @ 24P or 48P (DCI-compliant). Let me tell you Star Wars looked real good at 2048x1080 on the big screen to my eyes. For the bargain price Sony charges I'm sorry I just don't see the need for more resolution. |
some theaters are thinking 4k projection ( landmark theater chain) ....
http://bssc.sel.sony.com/Broadcastan...XRD/index.html RED is here and it shoots 4k .. some movies shot in 35mm are scanned at 4k .. so is the theater that is about to spend 100k for a projector going to go with 2k or 4k ? |
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in over under - 1920x2060 in side by side - 3840x1080 I don't have RED One, but guys who own this camera interested in 4K resolution, because Vegas support REDcode raw :) |
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http://www.jetdv.com/tts/TTS05-01.pdf
Some info regarding the new version on Edward Troxels newletter. Actually, there's a goldmine of info over there. http://www.jetdv.com/vegas/forum/viewtopic.php?t=54 |
Nice to see a new Tips and Tricks! Thanks Ed.
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