Sound problem at DVinfo.net
DV Info Net

Go Back   DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon HDV and DV Camera Systems > Canon XL and GL Series DV Camcorders > Canon GL Series DV Camcorders
Register FAQ Today's Posts Buyer's Guides

Canon GL Series DV Camcorders
Canon GL2, GL1 and PAL versions XM2, XM1.

Reply
 
Thread Tools Search this Thread
Old November 5th, 2006, 01:12 AM   #1
Regular Crew
 
Join Date: Nov 2005
Posts: 33
Sound problem

I just did video work of a tourist group in Israel.(GL2 camera) I use my wireless senheiser G2 and my audio technica at897 with self-made Fxlr to mini jack. there is a time I used the wireless and sometimes no chance to used wireless so I used my at897(cable connection) and I used headphone to monitoring the sound level. I figured out its ok by monitoring my sound. but when I captured in the adobe premiere pro2 the sound was captured to AT897 mic. was distorted and in the wireless is ok. I try to play the video to a TV the sound was fine. did I miss something about capturing the video in the program? any help and thanks in advance!

Chris
tel-aviv
Christian Mallari is offline   Reply With Quote
Old November 5th, 2006, 01:29 AM   #2
Old Boot
 
Join Date: Aug 2002
Location: London UK
Posts: 3,633
This could be so many things.

+ Cabling
+ Capture
+ Interference
+ BAd mic

. ..

But look, as this may have less to do with the actual camera, my opinion, I think you should post this rather in the NOW HEAR this forum? Yes?

At least there you will be able to call upon a potentially wider audio experience - yeah?
Graham Bernard is offline   Reply With Quote
Old November 5th, 2006, 01:38 AM   #3
Regular Crew
 
Join Date: Nov 2005
Posts: 33
I mean when I used the audio-technica AT897 was connected to the camera by cable. I used headphone and the sound is clear sound. why if I connect my camera to TV sound is ok. but when I captured in premiere pro2 the sound was distorted.

Chris
tel-aviv
Christian Mallari is offline   Reply With Quote
Old November 5th, 2006, 08:03 AM   #4
Wrangler
 
Join Date: Sep 2001
Location: Northern VA
Posts: 4,487
Distorted can mean many things. In what was was it distorted? Clipped, broken-up, missiing portions? Can you post a sample of the audio we can hear/see?
__________________
dpalomaki@dspalomaki.com
Don Palomaki is offline   Reply With Quote
Old November 5th, 2006, 10:02 AM   #5
Regular Crew
 
Join Date: Nov 2005
Posts: 33
the problem was the sound could hardly hear and also distorted. you can see the volume level was moving (premiere pro2) in a normal metering. I'm just wonder why when I play in the TV it has a sound good but when I captured in the premiere pro.2. you could hardly hear the sound. you now what site I can post in the web? thanks

Chris
tel-aviv
Christian Mallari is offline   Reply With Quote
Old November 5th, 2006, 04:23 PM   #6
Wrangler
 
Join Date: Sep 2001
Location: Northern VA
Posts: 4,487
If you just connect the XLR output from the AT mic to the XL1 using a simple XLR-to- stereo mini phone plug; e.g., tip to pin 2 and ring to pin 3, and sleeve to pin 1 (ground), you will have about equal and out of phase sound on the left and right channels. They may sound OK played to a stereo or earphones, they will cancel (or very nearly so) if mixed to mono as is often the case with simple TV sets, mono VHS VCRs, etc.
__________________
dpalomaki@dspalomaki.com
Don Palomaki is offline   Reply With Quote
Old November 6th, 2006, 12:32 AM   #7
Regular Crew
 
Join Date: Nov 2005
Posts: 33
Thanks to all! Don you are right. I figure out the connection I made to cable is mono which is I know is mono. b'cos the setting in the program was stereo that's why the sound very low and distorted. what I thought is even you set in the stereo and add some mono audio it will work but did not. what I did is I set AUDIO to mono. now its done what I record. my question now is I want to change my cable connection. I want to make it clear more.

here's what I did in my connection. I have only cable unbalance which is two wire inside the cable.

I connect the white to TIP(pin3)3.5mm to XLR pin2 and SLEEVE (pin1) to XLR pin3. what is your suggestion is what I want to do only my problem I can not fine balance cable a bit thin all are thick. anyway I try to fine one. so I need to connect the TIP (pin2)3.5mm to XLR pin2 and RING (pin3) 3.5mm to XLR pin3 and SLEEVE (pin1) to XLR pin1 (ground) is that correct? are you sure for that? I'm just want to make it sure. thanks in advance

Chris
tel-aviv
Christian Mallari is offline   Reply With Quote
Old November 6th, 2006, 12:57 AM   #8
Old Boot
 
Join Date: Aug 2002
Location: London UK
Posts: 3,633
Quote:
Originally Posted by Christian Mallari
I figure out the connection I made to cable is mono which is I know is mono.
Chris? You hadn't previously said you had made your own cabling connections? How long is your unbalanced XLR cable?
Graham Bernard is offline   Reply With Quote
Old November 6th, 2006, 08:16 AM   #9
Regular Crew
 
Join Date: Nov 2005
Posts: 33
sorry fo not making clear to you Graham, the length of the cable only 12inch. only b'cos for unbalance it should not longer than + - 20 feet?
Christian Mallari is offline   Reply With Quote
Old November 6th, 2006, 04:07 PM   #10
Fred Retread
 
Join Date: Jul 2004
Location: Hartford, CT
Posts: 1,227
Quote:
Originally Posted by Christian Mallari
...so I need to connect the TIP (pin2)3.5mm to XLR pin2 and RING (pin3) 3.5mm to XLR pin3 and SLEEVE (pin1) to XLR pin1 (ground) is that correct?...
No, that's the wiring that would apply cancelling signals to each channel. The correct wiring to take a mono signal from an XLR mic and apply it to both channels of the camcorder is XLR pin 2 connected to both tip AND ring of the mini plug, and XLR pins 1 and 3 both connected to the sleeve.
__________________
"Nothing in the world can take the place of persistence..." - Calvin Coolidge
"My brain is wired to want to know how other things are wired." - Me
David Ennis is offline   Reply With Quote
Old November 6th, 2006, 04:13 PM   #11
Wrangler
 
Join Date: Sep 2001
Location: Northern VA
Posts: 4,487
The 20 feet cable length issue is mainly for high impedance microphones - you start to get significant high frequency loss due to capicatance in the cables. With low impedance mics such as the AT897, the main issue with length is increased potential to pick up electrical noise when unbalanced that may be present where you are shooting.

If making a mono XLR-to-stereo mini phone input adapter.
Connect XLR pin 1 (ground) and XLR pin 3 (- side) to the sleeve.
Connect XLR pin 2 (+ side) to both the tip and ring.
This will put equal signals on each channel.
__________________
dpalomaki@dspalomaki.com
Don Palomaki is offline   Reply With Quote
Old November 15th, 2006, 08:04 AM   #12
Regular Crew
 
Join Date: Nov 2005
Posts: 33
Thanks to all and I figured out all now. Don, what I did is I connect the XLR pin2 to Mini TIP and the XLR pin3 to Mini RING and the XLR pin1 to Mini SLEEVE and works both channel and I can control the volume for both channel independently. anyway the problem I figured out is I need to set Mono when I make new project to premiere pro2. but now the connection I made like stereo. the stereo setting is not problem anymore. I can hear loud and clear.
Christian Mallari is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon HDV and DV Camera Systems > Canon XL and GL Series DV Camcorders > Canon GL Series DV Camcorders


 



All times are GMT -6. The time now is 08:10 AM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network