Podcast sample rate at DVinfo.net
DV Info Net

Go Back   DV Info Net > The Tools of DV and HD Production > All Things Audio
Register FAQ Today's Posts Buyer's Guides

All Things Audio
Everything Audio, from acquisition to postproduction.

Reply
 
Thread Tools Search this Thread
Old September 23rd, 2009, 05:15 AM   #1
Regular Crew
 
Join Date: Nov 2005
Location: Liverpool, UK
Posts: 46
Podcast sample rate

Hi all

I made a recording of a conference yesterday using 16Bit 48kHz sampling. I have been asked to create podcasts from the recording and I am seeing from the internet that there has at some time been a preference for 44.1 kHz sammpling due to incompatibilities with adobe/macromedia flash.

My question is: is it still the case that 44.1kHz is the recommended sampling rate for podcasts? If so, what is the least worst method for converting my files (I have Sony Vegas).

Cheers, Jon
Jonathan Morrow is offline   Reply With Quote
Old September 23rd, 2009, 12:13 PM   #2
Regular Crew
 
Join Date: Nov 2005
Location: Liverpool, UK
Posts: 46
I'm seeing that 22.05kHz is sufficient for speech, and has the added benefit of smaller file sizes. Any thoughts on artefacts when goinbg form 48kHz to 22.05kHz? Jon
Jonathan Morrow is offline   Reply With Quote
Old September 23rd, 2009, 12:43 PM   #3
Regular Crew
 
Join Date: Feb 2009
Location: BC, Canada
Posts: 67
Most of the podcasts I subscribe to deliver as mono 44.1k 64kbps mp3s, so I'd suggest starting with that setting. With the terrible little earbuds or $5 computer speakers most people listen to podcasts with, I wouldn't worry too much about artifacts in the conversion.
Jordan Block is offline   Reply With Quote
Old September 23rd, 2009, 01:36 PM   #4
Trustee
 
Join Date: Jul 2003
Location: Burlington
Posts: 1,976
How many clips do you have? If it's just a few, then I'd simply render them from your Vegas timeline to the output file of your choice. Vegas does a good job quality-wise in rendering to a setting that differs from the editing timeline but if you have lots of clips already edited and saved, a batch processor would obviously be easier. I don't have any recommendations for a free or low-cost batch processor but I'm sure there are people here who've got a favorite.
For my last podcast, which started out as an audio-only project, I recorded at 16-bit 44.1k wav. Later it morphed into a video podcast so I added in the PowerPoint slides (as bmp files) and other graphics as well as intro and exit music. Rendered to mp4 for the video version and 44.1k 128kbps mp3 for the audio-only version. It sounded very clean to me but the 15:39 audio-only file was right at 15Mb in size.
Jay Massengill is offline   Reply With Quote
Old September 23rd, 2009, 04:41 PM   #5
Inner Circle
 
Join Date: Sep 2006
Location: Sydney.
Posts: 2,887
This site could be helpful ...

Tutorials.

Cheers.
__________________
Drink more tap water. On admission at Sydney hospitals more than 5% of day patients are de-hydrated.
Allan Black is offline   Reply With Quote
Old September 27th, 2009, 02:52 PM   #6
Regular Crew
 
Join Date: Nov 2005
Location: Liverpool, UK
Posts: 46
Hi Guys

Thanks for the comments, I'm just back from a weekend away so I shall check out the website soonest. The files are not yet edited so I will do that in Vegas first before testing the conversion.

Cheers, Jon
Jonathan Morrow is offline   Reply With Quote
Old September 27th, 2009, 03:13 PM   #7
Inner Circle
 
Join Date: Aug 2008
Location: New York
Posts: 2,038
If you do not need a stereo MP3, a mono file will be of equal data compression quality at half the bitrate .
For instance: A 128kbps stereo file would have roughly the same quality as 64kbps mono file, all parameters being equal except mono/stereo. Keep in mind, this does not work the same way as PCM files, rendering a mono version half's the file size.
I have gotten 'decent' quality with 'acceptable' artifacts using a constant sample rate (CBR) of 20kbps @ 11.025khz. for dial-up connection users. If you are streaming, it is recommended using CBR .
Rick Reineke is offline   Reply With Quote
Old September 27th, 2009, 03:15 PM   #8
Inner Circle
 
Join Date: May 2005
Location: Burnaby, BC, Canada
Posts: 3,053
44.1k at 64kbps in mono is pretty much standard. If you're tempted to go stereo, I do recommend you look into VBR encoding. At 50%, it's roughly equivalent to 64kbps mono and only increases bitrate when there is stereo separation such as music.
Jack Zhang is offline   Reply With Quote
Old October 1st, 2009, 09:05 AM   #9
Regular Crew
 
Join Date: Nov 2005
Location: Liverpool, UK
Posts: 46
Thanks all. I just finished the project in mono at 44.1kHz and 64kbps. There were some artifacts on the "aah" sounds, but they don't show up on PC speakers as was suggested. I did struggle with some of the levels, it seems my recording was a little bit on the low side, I was hitting the limiters on my AD261, but may be not often enough! I had to bump it up by 8 to 10dB and compress it to get it approaching a BBC podcast levels, but its my first attempt and I have learned a lot - not so easy getting good sound as they say...

Cheers, Jon
Jonathan Morrow is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > The Tools of DV and HD Production > All Things Audio


 



All times are GMT -6. The time now is 08:42 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network