Lectrosonics transmitter/receiver
Hi,
I'd like to buy Lectrosonics wireless portable transmitter and receiver. I was looking at the Micro Belt-Pack Transmitter and LR - L-Series Wireless Receiver. I'm not sure if I'm sacrificing anything with the Micro transmitter and would be better off getting one of the other transmitters. Is there something better than Lectrosonics? I'm not concerned about the cost, I want something of high quality and dependibility. Can someone give me some guidance here. I normally use a cable and I know that's the best but once in a while I have to use a wireless system, so it would be great to have something that is as close to cable as possible. Thanks Kathy |
Re: Lectrosonics transmitter/receiver
I don't have any of the L-Series Lectros, but aside from the lower battery economy my SM TXs seem on par with the larger U400. I occasionally rent a Zaxcom system with the TRX recording transmitter (w/ never clip). It's not miniature, but it's the only recording Tx on the market AFAIK. Zaxcom's new ZMT3 Tx is is worthy of checking out, which is small to the extreme. The trouble with small devices, they get lost more often and you have to fight with production for replacements. I really like the Zax and am contemplating getting rid of my Lectros in favor of the Zax,. Unfortunately, funds are an issue for me.
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Most their current receivers and transmitters are compatible. I recall, I had the two channel version of the RS900.
"but how do you connect it to the recorder?" The back up recorder is build into the Tx. If the Rx loses signal (out of range or interference) The recorded track/ file can be substituted or layed back in post. The files also have a TC stamp, so it's allegedly quick and easy.. On the projects I used it on, I didn't needed Tx audio files, so I never actually did it. Glenn and the Zaxcom folks will be at the at the JJ Convention Ctr for the AES show. Visit them for more info. I think you can still get free AES exhibit passes, if you haven't already. Zax HQ is also close by in Pompton Plains (Jersey that is). |
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"how do I connect it to my main recorder?"
- Just like any other wireless mic. |
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If that's the ERX3TCD TC/IFB receiver, it is more for monitoring an audio mix and displays/outputs LTC. Good for a scripty, general IFB duties or a cam hop for instance. It has one 1/8" stereo unbalanced audio out (HP jack) which 'could' be used to feed a recorder, though it's HP impedance (32ohm) and level. Not Ideal for feeding a +4 line level balanced input.
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Sure, Zaxcom makes portable receivers, but not small enough to mount on a DSLR. The Lectro LR looks nice, it's about the size of a portable G3, a little flatter maybe. No recording transmitters though, at least until a loophole is found for the Zax recording-transmitter patent.
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" can their transmitter work with another brand receiver?"
- in this case, I would not think so. However, some of the analog systems can be (tuned to the same freq), if the pilot tones and companders are disabled. For instance, I've used Comtek and ListenTech IFBs together, i.e. Comtec Tx with multiple Comtek and ListenTech Rx. |
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Kathy,
I would highly recommend the L- Series from Lectrosonic. I have a set, and have also had their SR dual receiver, and SMqv transmitters. The L Series is in my opinion easier to use and has not failed me. You should use a quality mic like the Sanken COS 11d. If you have any specific questions let me know and I will be happy to help. |
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Switching from the Sanken to a 'better' mic would be negligible at best. An external preamp would help more if your plugging it direct to cam. An MixPre or MM1 for instance.
BTW, the Zaxcom RS200 Rx is pretty compact @ 1.0″ x 3.5″ x 3.5″. The RS900 Rx that I've used was plenty small enough for a bag, about 5"x3" (or 4)" as I recall. |
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The weak link in just about any record-to-camera workflow is the mic preamps in the camera. Any camera. None of the in-camera micpres are as good as the bottom end SD mixers. And you can get a used MixPre-D for very little these days, and it's designed for your stated workflow (camera as recorder). But if you don't want it, you don't want it. You know your situation better than anyone. |
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Thanks |
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One more question is it possible to use two transmitters but just one receiver?
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If you have any questions about the LR/LTs I'd be happy to answer them. |
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OTOH, it's common to use multiple receivers with one transmitter. i,e; hopping audio to more than one camera, but not the other way around with single channel wireless systems.
... It should be noted though, the 'one Tx, multiple Rx' scenario will NOT work with the new WiFi band GHz systems, like the Sennheiser AVX, RODE filmmaker, AT System 10, ect. |
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Zaxcom makes a miniature transmitter, the ZMT3.
Zaxcom ZMT3 miniature transmitter announced: get two, you might lose one - Newsshooter Also, every one should watch this (BEST ADVERT EVER! Well, for wireless at least): |
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Cool unit, but best avert ever? Not for me, I could not get through it.
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Well most adverts for pro wireless are pretty dry affairs!
This one has some humor to it :-D |
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Lectrosonics Introduces the SMWB and SMDWB Wideband Transmitters SRb Series SRc Dual Channel Slot Mount ENG Receiver All of these require external power but there are battery options available. Sony makes a dual channel receiver for $700 that works with their inexpensive transmitter. https://www.bhphotovideo.com/c/produ..._receiver.html https://www.bhphotovideo.com/c/searc...e&N=4232860122 Sony also makes some higher end dual channel receivers and transmitters but are slot in units that can be adapted for stand alone use. And here's a set with two tx: https://www.bhphotovideo.com/c/produ...iver_with.html |
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I use Canon C100. Yes, I was hoping to use something I could just use in a shoe plate. I went to the AES Convention and did see both the Lectros and the Zaxcoms. Between these two I want the Zaxcom. I'm not sure how I would power the receiver though even if I found a way to mount it on the camera.
I have not heard about Wisycom before but I'm reading good thing about them. Does anyone have any experience with Wysicom and could compare it to Zaxcom? |
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Do you use the internal battery with your camera or do you use a standard AB or V mount brick along with a rig? You could do a D-Tap cable to the receiver if the battery had a D-tap.
It would make for a slightly taller package but you could do a fairly small Lithium Ion rechargeable battery pack that could stack on top of the receiver. Wisycom is another excellent choice but I think Zaxcom is the only brand that records along with transmission. |
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I'm using internal camera battery. I feel like this is becoming a bit complicated. I wonder if I should rethink the whole set up and instead of recording to the camera I should simply get a good quality portable recorder, attach the Zaxcom receiver to it and I can perhaps have it all in over the shoulder bag, but that still leaves me with an issue of powering the Zaxcom receiver.
Could I use Zaxcom RX200? |
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Putting a recorder/mixer into a bag would give you a higher quality recording and more flexibility. Yes you could use the RX200 in that set up easily. With a central battery and power distribution box you could power the recorder and the receiver. Its a common set up for location sound bags. My system is a Zaxcom Nomad recorder/mixer plus four Lectro LR receivers and some other items and its all powered by a single Lithium Polymer battery. There are many other battery choices as well. Sound Devices just came out with three nice lower priced but excellent recorder/ mixers. Just be sure you feed the camera audio so you have a reference track to sync up your audio.
If you need help figuring this all out I'd be glad to lend a hand. |
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I'm thinking of doing this. RX200 is a two channel receiver as well, right? So, I'm thinking of getting Zaxcom RX200, Zaxcom ZMT3, Sound Devices MixPre-3, and if I wanted to upgrade my mic (Sanken COS 11D) I'm thinking of one of DPA d:screet (not sure which one yet). Would there be a a significant improvement if I upgraded my mic, or should I stick with the Sanken? Both Zaxcom RX200 and MixPre-3 can ran on AA so I wouldn't need a battery pack (I can add that later if I find it necessary). How does all of this sound? What bag could I fit all of this in?
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"RX200 is a two channel receiver as well, right?"
- Yes, I was just looking at the RX200 at AES, according to Glenn, it's more of a stereo cam hop than a two separate channel receiver with two separate Tx/mics. I don't see any point in 'upgrading' to a more expensive lav, as was addressed previously |
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Sound like I might have to go with QRX200!
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