How many DVC200 cameramen are in the forum??

November 5th, 2003, 07:04 PM

Man I lost the link to here....

Well as to the setting the filters are the important one at first.

Setting 2 and 4 are for day for night and they work well I might add. On one shoot we had over 3,000 watts on the subject and had one key light on her from the side and this was good as it looked like the nightlight. Well in post it looked great and the other part is there is no grain.

As for the scene settings I love these, as I will be posting some screen shoots of these as I am looking for a new web host. The things I like best is that scene 4 with filter 3 gives one of a retro look.

I have been able to get the same color as in the film "Brother where art thou?" that bright yellow cast. Also I have found that elusive blue tint that has shown up in movies like "Swordfish".

Screen shots with setting will be up shortly.

Rick Foxx · November 7th, 2003, 01:55 PM

Thanks for the tip. Have you played with the menu color curves at all? I understand you can match the 200 to just about any other camera out there. Now that I'm almost caught up with my backlog for the summer, I can start playing around with some of this stuff.

Rick

November 7th, 2003, 01:55 PM	#17
Rick Foxx Regular Crew Join Date: Nov 2002 Location: Tooele, UT Posts: 78	Thanks for the tip. Have you played with the menu color curves at all? I understand you can match the 200 to just about any other camera out there. Now that I'm almost caught up with my backlog for the summer, I can start playing around with some of this stuff. Rick __________________ There is no problem so large that can't be solved with a suitable application of high explosives.

November 5th, 2003, 07:04 PM	#16
Guest Posts: n/a	Man I lost the link to here.... Well as to the setting the filters are the important one at first. Setting 2 and 4 are for day for night and they work well I might add. On one shoot we had over 3,000 watts on the subject and had one key light on her from the side and this was good as it looked like the nightlight. Well in post it looked great and the other part is there is no grain. As for the scene settings I love these, as I will be posting some screen shoots of these as I am looking for a new web host. The things I like best is that scene 4 with filter 3 gives one of a retro look. I have been able to get the same color as in the film "Brother where art thou?" that bright yellow cast. Also I have found that elusive blue tint that has shown up in movies like "Swordfish". Screen shots with setting will be up shortly.