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February 13th, 2010, 12:01 PM
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#16 |
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Inner Circle
Join Date: Jan 2007
Location: Woodinville, WA USA
Posts: 3,467
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"It can only be attributable to human error... This sort of thing has cropped up before, and it has always been due to human error." |
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February 13th, 2010, 08:41 PM
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#17 |
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Inner Circle
Join Date: Oct 2001
Location: Honolulu, HI
Posts: 2,054
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I shoot our cooking segments in the SubZero/Wolf showroom kitchen that has a huge window behind the camera position.
We'll wait until noon when the sun is no longer shining directly through the windows, and provide a little bit of direction to the light with a small Kino Flo and two CoolLights 600s. A tungsten Lowel Tota Light is used as a back light or hair light. Attached is a frame grab from one of the demos.
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Dean Sensui Exec Producer, Hawaii Goes Fishing |
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February 14th, 2010, 12:21 PM
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#18 |
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Trustee
Join Date: Apr 2008
Location: Cornsay Durham UK
Posts: 1,992
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Hi Stuart I have a set of three 800watt redheads with daylight dichroic filters that could be used, they are a lot more powerful than any of those fluorescent lights and as I am based in Co Durham they could be available for hire as I am only 50 miles away.
PM me if you still need any assistance, I have a fourth one if you need any more but three should be enough.
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Over 15 minutes in Broadcast Film and TV production: http://www.imdb.com/name/nm1044352/ |
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February 17th, 2010, 12:21 PM
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#19 |
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Major Player
Join Date: Aug 2008
Location: Selby UK
Posts: 274
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Thanks Dean: that looks like a great setup you have there, everyone looks very evenly lit.
Thanks Gary: I've shot the footage now with half CTBs over my tungstens but I'll bare you in mind for my next film ;) Thanks for the link Dean, I've saved the PDF to my computer now for future reference. |
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