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Old February 13th, 2010, 11:01 AM   #16
Inner Circle
Join Date: Jan 2007
Location: Woodinville, WA USA
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FWIW, here's the new link to that guide:
"It can only be attributable to human error... This sort of thing has cropped up before, and it has always been due to human error."
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Old February 13th, 2010, 07:41 PM   #17
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Location: Honolulu, HI
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I shoot our cooking segments in the SubZero/Wolf showroom kitchen that has a huge window behind the camera position.

We'll wait until noon when the sun is no longer shining directly through the windows, and provide a little bit of direction to the light with a small Kino Flo and two CoolLights 600s. A tungsten Lowel Tota Light is used as a back light or hair light.

Attached is a frame grab from one of the demos.
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Daylight Matched Lighting for Indoor Scenes-201-naoki-cook-print.jpg  
Dean Sensui
Exec Producer, Hawaii Goes Fishing
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Old February 14th, 2010, 11:21 AM   #18
Join Date: Apr 2008
Location: Cornsay Durham UK
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Hi Stuart I have a set of three 800watt redheads with daylight dichroic filters that could be used, they are a lot more powerful than any of those fluorescent lights and as I am based in Co Durham they could be available for hire as I am only 50 miles away.

PM me if you still need any assistance, I have a fourth one if you need any more but three should be enough.
Over 15 minutes in Broadcast Film and TV production:
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Old February 17th, 2010, 11:21 AM   #19
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Location: Selby UK
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Thanks Dean: that looks like a great setup you have there, everyone looks very evenly lit.

Thanks Gary: I've shot the footage now with half CTBs over my tungstens but I'll bare you in mind for my next film ;)

Thanks for the link Dean, I've saved the PDF to my computer now for future reference.
Stuart Graham
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