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Views: 374
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#2 |
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Major Player
Join Date: May 2006
Location: Tampa, FL
Posts: 594
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I would shoot 24P over-cranked to 60 for the whole shoot. I'd get audio from a source other than the camera. Then, I have imagery of better quality at "normal" speed (actual speed) and the ability to slow down 2-1/2 times. If you think you want to use slo-mo - there is nothing like over-cranking. Of course, you'll have to record to SxS.
If you can get the talent to play and sing along to a 2x speed recording (or 2.5x speed, in this case), you can slow it down in post for some neat effects. On the other hand, maybe this technique is getting overused - you decide.
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Sony EX3, Vegas 8.1 64bit, Vista 64, Q6600 Quad, 4GB, RAID1 & 0, HotSwap SATA, 30" LCD(2560x1600)-7600GT & 24" LCD(1360x768)-7600GS |
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#3 |
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Regular Crew
Join Date: Apr 2008
Location: Denmark
Posts: 111
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Hi
I would record in 720 25P 1/50. If you want to end up in 25 fps. 50P with a shutter of 1/100 converted to 25P would be jerky if the editing system takes out every second picture ( to make it 25P) with the 100 shutter. Alternative you could try to record 720 50P 1/50. I would make one recording in 25 p using the sound and master shot. Make them play it again - several times for different shots - then you can record some close shots and some of it overcranked for effects. .........Bo |
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#4 |
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Regular Crew
Join Date: Sep 2008
Location: Southend, UK
Posts: 76
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Hey guys,
Thanks for the suggestions. The source for the audio is a professionally recorded demo, so no fears there! I only asked, as shooting progressive for the first time, I was unsure of shutter settings. As I said, the general info I had suggests that in progressive a 180 degree shutter angle should be used and if your frame rate is 50 you should double the shutter speed to 1/100. I know it's a case of playing around with these things to really see how this effects the footage you get. A general rule of thumb would be nice. Cheers |
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