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October 22nd, 2003, 08:32 AM | #1 |
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Join Date: Aug 2003
Location: Poplarville, MS
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Booming with a studio mic?
Hi guys.
I was coming really close to getting the ME 66K6 Super-Cardioid Mic Capsule with K6 ($379.95 at B&H - have to get price emailed, though), along with the Beachtek DXA-6 ($249.95) - the one with phantom power. However, now I am thinging of just purchasing the DXA-6 and using my studio microphone, which can be switched between omni and hypercardioid. The Beachtek will supply the required 48V phantom power. The camera I'm using is a Canon GL2. The plan is to get a shockmount & pole for the mic and boom really close. (This won't be used for event videography, but planned- out filmmaking, so the 'clumsiness' won't matter.) Has anyone done something similar to this? The concern is the sound: If I can get close with the hypercardioid setting and pick up a hot signal (boost the pre on the beachtek and lower the pickup on the camera?) - then adjust in post (levels, continuous noise filter, etc), could this work for high quality sound? Thanks for your help! ,Frank |
October 22nd, 2003, 08:41 AM | #2 |
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Location: Poplarville, MS
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...oh, and I'll need a windscreen of some sort. Any cheaper alternatives to the Rycotes, at comparable performance?
Thanks! |
October 22nd, 2003, 09:29 AM | #3 |
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Join Date: May 2002
Location: Barrie, Ontario, Canada
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www.cavision.com
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October 22nd, 2003, 10:13 AM | #4 |
Major Player
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Those are some nice looking windjammers.
I like the idea of internal cabling on the boompoles. Thanks for the link, Bryan! ,Frank |
October 22nd, 2003, 10:25 AM | #5 |
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I have the price list if you're interested.
email me at beasleigh at eudoramail dot com |
October 22nd, 2003, 10:34 AM | #6 |
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email sent
Thanks! |
October 22nd, 2003, 02:56 PM | #7 |
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What model of studio mic are you talking about?
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October 22nd, 2003, 04:12 PM | #8 |
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Location: Poplarville, MS
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Jay,
Peavey Studio Pro M2 http://www.acemusicsuperstore.com/product_info.php/products_id/487 http://www.peavey.com/products/shop_online/browse.cfm/action/details/item/00488040/wc/2A2A23/fam/WM/tcode/3/studio.cfm |
October 22nd, 2003, 08:55 PM | #9 |
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Join Date: May 2002
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Studio booming is great. One can get away from the lavs and the shotguns.
We have a monster boom here at the local college with and ability to hang the microphone from a shock-mounted cradle that can be rotated so as to point the microphone at the sound source. Operated by a a handwheel on the other end. The entire rig is about 20 feet long with a good tripod and wheels so it can be moved during the show. From my experience, even a relatively inexpensive studio microphone outperforms a ME66 by quite a bit.
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Mike Rehmus Hey, I can see the carrot at the end of the tunnel! |
October 23rd, 2003, 08:02 AM | #10 |
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Location: Poplarville, MS
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Mike,
Thanks! That gives me some encouragement. That sounds like a nice rig. One thing I have been neglecting and need to give consideration to is how I am going to direct the mic at the end of the pole. I am glad you mentioned that. Thanks! |
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