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Re: Least worst drift in portable recorders?
You would have enjoyed using a clockwork Bolex, carefully adjusted to a 50i TV screen whilst pulling junk film, working with a Sony TCD10 Pro II and holding sync for about 20 seconds.
The Nagra IV.2 and CP16R were good for one frame or less in 8 minutes. If you haven't had to pull in a 1 in 44 frame sound stretch which occurred with an old UHER1000 Report Pilot after a shakeup on a rough road had reset the speed, you have not lived. |
Re: Least worst drift in portable recorders?
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Re: Least worst drift in portable recorders?
Back when I worked at Grass Valley Group in the late 80s and early 90s, we made a Reference Master Sync Pulse Generator with a temperature-controlled crystal oscillator. This was intended as a master clock in a studio or broadcast head end. You would then send color black from it to slave SPGs distributed throughout the building.
The oscillator was about the size of a tennis ball, but in the shape of a cube. It had a thermostat and an oven in a sealed metal case. And, no, it wasn't cheap! And if you had two stations, each with it's own reference SPG, the two buildings would still drift and need a frame synchronizer for live feeds. It would be nice to have genlock or equivalent on budget AV production gear. It beats carrying around a couple of oven-encased crystals! One concern with any sync test is that they can vary unit to unit and in different temperature and humidity situations. Not to dis the test though. It's about as good as we can do without calibrated clocks or genlock. |
Re: Least worst drift in portable recorders?
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Compared to the Roland R-26 the H4 now feels like a plasticy complicated POS, destined for eBay. But to be less snarky, it's great that the current generation of these pocket recorders seem very good at keeping strict time. That'll be modern microelectronics for ya. |
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