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January 22nd, 2004, 12:34 PM
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Sales: Reflecmedia
Join Date: Jan 2002
Location: Linden, NJ
Posts: 147
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Glowing review of the Mini35
While not mentioned in the article, this piece was shot with the Mini35/PD-150 combo.
Quoted from variety.com: http://www.variety.com/story.asp?l=r...117922892&c=31 posted Wed., Jan. 21, 2004. Article by Robert Koehler >> Michael McDonough's digital lensing is surpassingly beautiful and >> should >> finally silence skeptics of the cinematic capacity (or limits) of >> digital video. McDonough also shot Granik's short, "Snake Feed," from >> which "Down to the Bone's" story is derived. Lenser achieves >> crystalline >> resolution on the bigscreen with fairly modest means, abetted by a >> high-def transfer.
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January 23rd, 2004, 03:33 AM
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#2 |
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Wrangler
Join Date: Jan 2002
Location: Los Angeles, CA
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So do we assume that "high-def transfer" is a misnomer?
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Charles Papert www.charlespapert.com |
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January 23rd, 2004, 11:26 AM
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Sales: Reflecmedia
Join Date: Jan 2002
Location: Linden, NJ
Posts: 147
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I would presume that statement to mean that a high-def up-res and color correct was done before the blowup to film. I have not spoken to the filmmakers directly yet though.
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