Steven White
July 15th, 2008, 11:02 AM
I posted a thread in the HDR-FX1 forum (http://www.dvinfo.net/conf/showthread.php?t=125987) concerning a short film I've been working on for the last several years in my spare time.
The footage was shot Cineframe24 on the FX1, and Cineform was used as the intermediate codec for editing and post production. The post workflow for this production was all done using AspectHD, Premiere Pro CS3, and After Effects CS3. HDlink was used to remove the 3:2 pull-down from the Cineframe24 footage, and all editing, effects and mastering was done painlessly in a 23.976 fps timeline.
At all points during post production the visually lossless nature and fast decoding of the Cineform codec was greatly appreciated, allowing for faster renders, editing and playback. At this point I just take the Cineform codec for granted as my intermediate of choice.
If you're interested in how the film came out, have a wander over to the thread (http://www.dvinfo.net/conf/showthread.php?t=125987).
-Steve
The footage was shot Cineframe24 on the FX1, and Cineform was used as the intermediate codec for editing and post production. The post workflow for this production was all done using AspectHD, Premiere Pro CS3, and After Effects CS3. HDlink was used to remove the 3:2 pull-down from the Cineframe24 footage, and all editing, effects and mastering was done painlessly in a 23.976 fps timeline.
At all points during post production the visually lossless nature and fast decoding of the Cineform codec was greatly appreciated, allowing for faster renders, editing and playback. At this point I just take the Cineform codec for granted as my intermediate of choice.
If you're interested in how the film came out, have a wander over to the thread (http://www.dvinfo.net/conf/showthread.php?t=125987).
-Steve