David Parks
August 22nd, 2008, 01:46 PM
While I'm working through a unrelated problem with Avid I ran across this:
( The Canon XH A1 has the ability to shoot in a 24f mode in HDV. In order to capture that footage into Media Composer, NewsCutter or Symphony, you must either capture it into a 1080p/23.976 project via HD SDI (using the Adrenaline, Nitris DX, Mojo DX, or Nitris), or capturing into a 1080i/59.94 HDV project via fire wire direct into the system.
In the first instance, the footage will be captured as DNxHD (no loss in quality.) If you capture via fire wire, the footage will remain native HDV.
To maintain the progressive "look" of the footage in the 1080i/59.94 project, you can apply a Timewarp > FluidFilm 2:3 Cadence effect to your finished sequence, or, to speed up your sequence to 125%, you can apply a Timewarp > Pulldown Removal effect. )
Interesting!!!
( The Canon XH A1 has the ability to shoot in a 24f mode in HDV. In order to capture that footage into Media Composer, NewsCutter or Symphony, you must either capture it into a 1080p/23.976 project via HD SDI (using the Adrenaline, Nitris DX, Mojo DX, or Nitris), or capturing into a 1080i/59.94 HDV project via fire wire direct into the system.
In the first instance, the footage will be captured as DNxHD (no loss in quality.) If you capture via fire wire, the footage will remain native HDV.
To maintain the progressive "look" of the footage in the 1080i/59.94 project, you can apply a Timewarp > FluidFilm 2:3 Cadence effect to your finished sequence, or, to speed up your sequence to 125%, you can apply a Timewarp > Pulldown Removal effect. )
Interesting!!!