Robert Mann Z.
December 4th, 2001, 03:08 PM
i have been receiving dv tapes from event videographers for the first time this year... if they used an m100 i would run the dv off gv-d900 into my firewire card and then separate the channels in soundforge, usually a wireless mic on one channel and a boom, or shotgun on another, then import into premiere look for my markers and edit...well no problem..
i got a call from someone who said he had 4 channels on one dv tape, each one balanced, what do i do now, do i need to get an xls and use xlr inputs to get the balanced audio, or can i get the audio from the dv tape... if i can get the 4 channels, how do they come in, two audio streams, with balanced channels of audio?...does anyone know?
is there a better way to seperate the audio streams in premiere? soundforge was the only way i could figure it out...
i got a call from someone who said he had 4 channels on one dv tape, each one balanced, what do i do now, do i need to get an xls and use xlr inputs to get the balanced audio, or can i get the audio from the dv tape... if i can get the 4 channels, how do they come in, two audio streams, with balanced channels of audio?...does anyone know?
is there a better way to seperate the audio streams in premiere? soundforge was the only way i could figure it out...