Joe Thompson
October 21st, 2011, 07:20 AM
Would it be possible to get an Ann & Barry account of the best workflow to achieve top HD quality, when exporting to Vimeo.
As well as advising on settings to use, would people might advising what tends to happen if I go higher and lower on these settings, as I'd love to learn the in's & out's of all the different options available.
I'm shooting from a 5D MK II, and I transcode all native files to ProRes422 using MPEG Streamline, which I import fine into FCP7. Is there a better setting to use than ProRes422 in terms of quality, or is it just a case of compression size?
Once timeline is complete, I export to compressor. I realise, there is an alternative option of exporting as a quicktime move, so not sure which is best option?.
My current Vimeo settings are at home, so will update post with these late, and it would be great if people could advise where i'm going wrong.
Is there further quality lost on the Vimeo side, and is there anyway of avoiding this?
Cheers
As well as advising on settings to use, would people might advising what tends to happen if I go higher and lower on these settings, as I'd love to learn the in's & out's of all the different options available.
I'm shooting from a 5D MK II, and I transcode all native files to ProRes422 using MPEG Streamline, which I import fine into FCP7. Is there a better setting to use than ProRes422 in terms of quality, or is it just a case of compression size?
Once timeline is complete, I export to compressor. I realise, there is an alternative option of exporting as a quicktime move, so not sure which is best option?.
My current Vimeo settings are at home, so will update post with these late, and it would be great if people could advise where i'm going wrong.
Is there further quality lost on the Vimeo side, and is there anyway of avoiding this?
Cheers