Matt Betea
January 2nd, 2003, 02:53 AM
hello,
sorry if any of these questions are really dumb, but...
for narrative/dramatic movie making i'm getting the idea that an onboard mic for ambient sound and a boomed mic for dialogue/talent is the way to go? i was thinking there would be two choices to set this up, them being:
1. using a mixer or some adapter convert the onboard mic to mono, then using the ma100 have the boomed mic going to that to get 16bit 2 ch.
or
2. get 2 mono mics and run them both off of the ma100?
my plan is to get the me66/k6 combo and the ma100. the part i'm unsure of is if the onboard mic is good enough for an ambient mic or get a 2nd mic (something cheaper than the me66 but a bit better than the onboard) and run them both from the ma100?
these are the first of, i'm sure, many questions regarding audio i'll have. any help would be great and appreciate the time and effort of anyone helping out. thanks.
matt
sorry if any of these questions are really dumb, but...
for narrative/dramatic movie making i'm getting the idea that an onboard mic for ambient sound and a boomed mic for dialogue/talent is the way to go? i was thinking there would be two choices to set this up, them being:
1. using a mixer or some adapter convert the onboard mic to mono, then using the ma100 have the boomed mic going to that to get 16bit 2 ch.
or
2. get 2 mono mics and run them both off of the ma100?
my plan is to get the me66/k6 combo and the ma100. the part i'm unsure of is if the onboard mic is good enough for an ambient mic or get a 2nd mic (something cheaper than the me66 but a bit better than the onboard) and run them both from the ma100?
these are the first of, i'm sure, many questions regarding audio i'll have. any help would be great and appreciate the time and effort of anyone helping out. thanks.
matt