How to Setup your 7D at DVinfo.net
DV Info Net

Go Back   DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Crop Sensor for HD
Register FAQ Today's Posts Buyer's Guides

Canon EOS Crop Sensor for HD
APS-C sensor cameras including the 80D, 70D, 7D Mk. II, 7D, EOS M and Rebel models for HD video recording.

Reply
 
Thread Tools Search this Thread
Old December 28th, 2009, 05:33 AM   #1
Regular Crew
 
Join Date: Nov 2004
Posts: 1,414
How to Setup your 7D

I found these two articles on how to setup your 7D for more optimum performance and ease of use....

Use both of these as written and your camera will be setup pretty nice for stills and video.
I started with the first setup as written and finished the camera setup with the second one. You should change any settings that you would prefer to use in conjunction with
these suggestions to get the camera setup your personal way of shooting... I used all
of these settings and only changed one or two items from the combined articles...

the first one I used to setup the video portions is here:

Tutorial: How to custom configure your Canon EOS 7D settings for Photo & Video | Oeding.com

the second one I used to setup the still settings is here:

Setting Up Your New Canon 7D | Deep Green Photography

enjoy :-)
Ray Bell is offline   Reply With Quote
Old December 28th, 2009, 12:19 PM   #2
Trustee
 
Join Date: Nov 2004
Location: Thousand Oaks
Posts: 1,099
Thanks for posting that.
Chuck Spaulding is offline   Reply With Quote
Old December 28th, 2009, 04:37 PM   #3
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Anyone have links to settings that work best for out of the box shooting? I don't have good calibration gear for post and also am wary of artifacts that often result from manipulating heavily compressed files.
Brian Luce is offline   Reply With Quote
Old December 28th, 2009, 05:37 PM   #4
Major Player
 
Join Date: Sep 2006
Location: London, England
Posts: 969
Brian, the posted set-up is an out-of-the-box solution and wont result in post-production artifacts - that's the point of the set-up.
__________________
Writer-Director-DOP
www.liamhall.net
Liam Hall is offline   Reply With Quote
Old December 28th, 2009, 05:46 PM   #5
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Quote:
Originally Posted by Liam Hall View Post
Brian, the posted set-up is an out-of-the-box solution and wont result in post-production artifacts - that's the point of the set-up.
As I understood the article (didn't read all of it) it's a recipe for footage that gives a lot of latitude in post for color correction, basically a video negative to play with in the NLE. No?
Brian Luce is offline   Reply With Quote
Old December 28th, 2009, 06:54 PM   #6
Major Player
 
Join Date: Jan 2005
Location: Beaverton, Oregon
Posts: 399
Quote:
Originally Posted by Brian Luce View Post
Anyone have links to settings that work best for out of the box shooting? I don't have good calibration gear for post and also am wary of artifacts that often result from manipulating heavily compressed files.
That's why you transcode the files out of the camera on ingest.. to my knowledge no one edits the native 5d/7d files...
Scott Shama is offline   Reply With Quote
Old December 28th, 2009, 07:38 PM   #7
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Quote:
Originally Posted by Scott Shama View Post
That's why you transcode the files out of the camera on ingest.. to my knowledge no one edits the native 5d/7d files...
Vegas, Premiere Pro CS4.1, FCP and EDIUS all edit 7d files natively. But that's not the point, I was hoping for some scene files that don't require extensive correcting in post. The link above gives a flat neutral image that maximizes options in post. I'm not after that because CC is a labor intensive process and therefore demolishes productivity and profit margin.
Brian Luce is offline   Reply With Quote
Old December 29th, 2009, 03:48 AM   #8
Major Player
 
Join Date: Sep 2006
Location: London, England
Posts: 969
There's no major post required with these parameters. Keeping sharpness and contrast dialed down just prevents the camera from baking in too much too early in the process and gives you more control over the final look. Indeed, there are so few settings on this camera that you should be able to adjust one of the presets and find your desired look with the minimum of testing. Start with a "Neutral" picture style and adjust from there.
__________________
Writer-Director-DOP
www.liamhall.net
Liam Hall is offline   Reply With Quote
Old December 30th, 2009, 01:16 PM   #9
Major Player
 
Join Date: Jan 2005
Location: Beaverton, Oregon
Posts: 399
Quote:
Originally Posted by Brian Luce View Post
CC is a labor intensive process and therefore demolishes productivity and profit margin.
Are you kidding..? You don't want to color correct.. at all? I guess that's where I've always viewed the line between professional and amateur but maybe you have a different view.. BTW, just because theose software packages can edit native doesn't mean you want to... most computers are still way too slow to make editing native anything BUT labor intensive and time consuming, thereby demolishing productivity and profit margin...
Scott Shama is offline   Reply With Quote
Old December 30th, 2009, 03:22 PM   #10
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Quote:
Originally Posted by Scott Shama View Post
Are you kidding..? You don't want to color correct.. at all? I guess that's where I've always viewed the line between professional and amateur but maybe you have a different view.. BTW, just because theose software packages can edit native doesn't mean you want to... most computers are still way too slow to make editing native anything BUT labor intensive and time consuming, thereby demolishing productivity and profit margin...
Lots of people edit natively and lots of people get paid for doing it. Sounds like you need a faster computer.

The line between professional and amateur is drawn with the dollar bill. If you're getting paid, by definition you are professional. Without belaboring the point, I'll direct you to the maxim of "Cheap, fast, good. Pick two".

I've been doing some stuff with musicians lately and I absolutely love it, but they're musicians, they just don't have a budget, and as much as I love music and working with artists, I'm not going to work for minimum wage. So yes, I shoot them with a cheap camera (the 7d), and do everything possible to minimize post. They're happy, I'm happy so end of story.

Btw, they're especially pleased with the audio I'm getting from the Tascam DR100 and Octava mics and syncing via Plural Eyes. So much so that they're hiring me for audio only gigs over a well established sound engineer who carts around a 50k sound kit. These are discriminating professional musicians with degrees from places like Juliard, they don't know jack about Color grading, but they have ears
Brian Luce is offline   Reply With Quote
Old December 30th, 2009, 05:52 PM   #11
Major Player
 
Join Date: Jan 2005
Location: Beaverton, Oregon
Posts: 399
Don't need a faster computer.. they currently don't make one much faster.. I see where you are going with the videos for the musicians.. I guess it's just me personally that would never send out anything uncorrected at this point.. To each their own..
Scott Shama is offline   Reply With Quote
Old January 2nd, 2010, 02:52 AM   #12
New Boot
 
Join Date: May 2005
Posts: 18
I set up my 7D exactly like the first link told me so, and I quite like it. However, when I'm using Custom Mode C2 the camera is adjusting the ISO automatically to match the light situation. Is this something you guys would want? I find it quite "camcorder" style, which IMHO doesn't suit the "cinema" style manu of us are pursuing. I could be missing some specific infomation though.
Frank Bongers is offline   Reply With Quote
Old January 2nd, 2010, 03:01 AM   #13
Major Player
 
Join Date: Sep 2006
Location: London, England
Posts: 969
Frank, ISO should be set to 200 as a default. Select your desired ISO when shooting but never use AUTO.
__________________
Writer-Director-DOP
www.liamhall.net
Liam Hall is offline   Reply With Quote
Old January 2nd, 2010, 02:09 PM   #14
Regular Crew
 
Join Date: Feb 2009
Location: St Paul MN
Posts: 41
I'm with Brian.

I use the 5D2 and 7D as a camcorder capable of shooting several stills during the video. No post processing required, just edit length, and burn SD DVD's, or if more definition is required Blu-Rays.

I realize this and other forums are geared towards filmmakers and wedding photographers, however there is also a need for informative, reliable advice covering more mundane applications of this hardware.

We surely don't need another forum do we?
Jay Houser is offline   Reply With Quote
Old January 2nd, 2010, 04:35 PM   #15
Inner Circle
 
Join Date: Jan 2006
Posts: 2,290
Quote:
Originally Posted by Jay Houser View Post
I'm with Brian.

I use the 5D2 and 7D as a camcorder capable of shooting several stills during the video.
This ability alone, to pop stills while recording video made a hero out of me at a recent shoot and led directly to several promising referrals as well as a decent paycheck. The comment was "He did still shots and video? One guy?" I say that not as testimonial to myself, but to the camera. You can do some trick stuff with it.
Brian Luce is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Crop Sensor for HD


 



All times are GMT -6. The time now is 09:36 AM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network